Age, Biography, and Wiki
Courtney Michelle Love (née Harrison) was born on July 9, 1964, making her 60 years old as of 2025. She is a prominent figure in rock music, known for her powerful stage presence and controversial public persona. Love is a founding member of the alternative rock band Hole, and has also gained recognition for her acting roles and writing projects. Her memoir, Dirty Blonde: The Diaries of Courtney Love, was published in 2006.
| Occupation | Rock Singer |
|---|---|
| Date of Birth | 9 July 1964 |
| Age | 61 Years |
| Birth Place | San Francisco, California, U.S. |
| Horoscope | Cancer |
| Country | U.S |
Height, Weight & Measurements
Courtney Love's public information does not regularly include her current height, weight, or body measurements. Over the years, her look has been a topic of media discussion due to her distinctive style, but detailed and up-to-date physical statistics are not widely published.
Love's diverse genre interests were illustrated in a 1991 interview with Flipside, in which she stated: "There's a part of me that wants to have a grindcore band and another that wants to have a Raspberries-type pop band." Discussing the abrasive sound of Hole's debut album, she said she felt she had to "catch up with all my hip peers who'd gone all indie on me, and who made fun of me for liking R.E.M. and The Smiths." She has also embraced the influence of experimental artists and punk rock groups, including Sonic Youth, Swans, Big Black, Diamanda Galás, the Germs, and the Stooges. While writing Celebrity Skin, she drew influence from Neil Young and My Bloody Valentine. She has also cited her contemporary PJ Harvey as an influence, saying: "The one rock star that makes me know I'm shit is Polly Harvey. I'm nothing next to the purity that she experiences."
She has played a variety of Fender guitars throughout her career, including a Jaguar and a vintage 1965 Jazzmaster; the latter was purchased by the Hard Rock Cafe and is on display in New York City. Between 1989 and 1991, Love primarily played a Rickenbacker 425 because she "preferred the 3/4 neck", but she destroyed the guitar onstage at a 1991 concert opening for the Smashing Pumpkins. In the mid-1990s, she often played a guitar made by Mercury, an obscure company that manufactured custom guitars, as well as a Univox Hi-Flier. Fender's Vista Venus, designed by Love in 1998, was partially inspired by Rickenbacker guitars as well as her Mercury. During tours after the release of Nobody's Daughter (post-2010), Love has played a Rickenbacker 360 onstage. Her setup has included Fender tube gear, Matchless, Ampeg, Silvertone and a solid-state 1976 Randall Commander.
Love has had an impact on female-fronted alternative acts and performers. She has been cited as influential on young female instrumentalists in particular, having once infamously proclaimed: "I want every girl in the world to pick up a guitar and start screaming ... I strap on that motherfucking guitar and you cannot fuck with me. That's my feeling." In The Electric Guitar: A History of an American Icon, it is noted: "[Love] truly lived up to Paul Westerberg's (The Replacements) assessment of pretty girls 'playing makeup/wearing guitar' ... She frequently stood on stage, microphone in hand and foot on monitor, and simply let her Fender guitar dangle around her neck. She truly embodied the empowerment that came with playing the electric guitar ... Love depended heavily upon her male lead guitar foil Eric Erlandson, but the rest of her band remained exclusively female throughout several lineup changes."
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Dating & Relationship Status
Courtney Love was famously married to Nirvana frontman Kurt Cobain, who passed away in 1994. Since then, she has been linked to various relationships, but as of 2025, her current romantic status is not publicly confirmed. She remains a private figure in her personal life, with much of her relationship history subject to media speculation.
Her parents met at a party held for Dizzy Gillespie in 1963, and the two married in Reno, Nevada after Carroll discovered she was pregnant. Carroll, who was adopted at birth, is the biological daughter of novelist Paula Fox. The identity of Love's maternal biological grandfather is unknown. Love's matrilineal great-grandmother was Elsie Fox (née de Sola), a Cuban writer who co-wrote the film The Last Train from Madrid with Love's great-grandfather, Paul Hervey Fox, cousin of writer Faith Baldwin and actor Douglas Fairbanks. Phil Lesh, the founding bassist of the Grateful Dead, was Love's godfather. According to Love, she was named after Courtney Farrell, the protagonist of Pamela Moore's 1956 novel Chocolates for Breakfast.
Love is of mixed Cuban, English, German, Irish, Ashkenazi Jewish, and Welsh ancestry. Through her mother's subsequent marriages, Love has two younger half-sisters, three younger half-brothers (one of whom died in infancy), and one adopted brother.
Love spent her early years in Haight-Ashbury, San Francisco, until her parents divorced in 1970. In a custody hearing, her mother, as well as one of her father's girlfriends, testified that Hank had dosed Courtney with LSD when she was a toddler. Carroll also alleged that Hank threatened to abduct his daughter and flee with her to a foreign country. Though Hank denied these allegations, his custody was revoked.
In 1970, Carroll relocated with Love to the rural community of Marcola, Oregon, where they lived along the Mohawk River while Carroll completed her psychology degree at the University of Oregon. There, Carroll remarried to schoolteacher Frank Rodríguez, who legally adopted Love. Though Love was baptized a Roman Catholic, her mother maintained an unorthodox home; according to Love, "There were hairy, wangly-ass hippies running around naked [doing] Gestalt therapy", and her mother raised her in a gender-free household with "no dresses, no patent leather shoes, no canopy beds, nothing".
In 1972, Love's mother divorced Rodríguez, remarried to sportswriter David Menely, and moved the family to Nelson, New Zealand. Love was enrolled at Nelson College for Girls, but soon expelled for misbehavior. In 1973, Carroll sent Love back to Portland, Oregon, to be raised by her former stepfather and other family friends.
At age 14, Love was arrested for shoplifting from a Portland department store and remanded at Hillcrest Correctional Facility, a juvenile hall in Salem, Oregon. While at Hillcrest, she became acquainted with records by Patti Smith, the Runaways, and the Pretenders, who later inspired her to start a band. She was intermittently placed in foster care throughout late 1979 until becoming legally emancipated in 1980, after which she remained staunchly estranged from her mother.
In 1981, Love was granted a small trust fund that had been left by her maternal grandparents. She used that money to travel to Dublin, Ireland, where her biological father was living. She audited courses at Trinity College, studying theology for two semesters. She later received honorary patronage from Trinity's University Philosophical Society in 2010.
At age 19, through her then-boyfriend's mother, film costume designer Bernadene Mann, Love took a job at Paramount Studios cleaning out the wardrobe department of vintage pieces that had suffered dry rot or other damage. During this time, Love became interested in vintage fashion. She subsequently returned to Portland, where she formed short-lived musical projects with her friends Ursula Wehr and Robin Barbur (namely Sugar Babylon, later known as Sugar Babydoll). Love briefly fronted Faith no More for their first TV appearance in 1984: she sang with a Siouxsie Sioux-style vocal. After meeting Kat Bjelland at the Satyricon nightclub in 1984, the two formed the group the Pagan Babies. Love asked Bjelland to start the band with her as a guitarist, and the two moved to San Francisco in June 1985, where they recruited bassist Jennifer Finch and drummer Janis Tanaka. According to Bjelland, "[Courtney] didn't play an instrument at the time" aside from keyboards, so Bjelland would transcribe Love's musical ideas on guitar for her. The group played several house shows and recorded one 4-track demo before disbanding in late 1985.
At the end of 1988, Love taught herself to play guitar and relocated to Los Angeles, where she placed an ad in a local music zine: "I want to start a band. My influences are Big Black, Sonic Youth, and Fleetwood Mac." By 1989, Love had recruited guitarist Eric Erlandson; bassist Lisa Roberts, her neighbor; and drummer Caroline Rue, whom she met at a Gwar concert. Love named the band Hole after a line from Euripides' Medea ("There is a hole that pierces right through me") and a conversation in which her mother told her that she could not live her life "with a hole running through her". On July 23, 1989, Love married Leaving Trains vocalist James Moreland in Las Vegas; the marriage was annulled the same year. She later said that Moreland was a transvestite and that they had married "as a joke". After forming Hole, Love and Erlandson had a romantic relationship that lasted over a year.
Live Through This was certified platinum in April 1995 and received numerous accolades. The success combined with Cobain's suicide produced publicity for Love, and she was featured on Barbara Walters' 10 Most Fascinating People in 1995. Her erratic onstage behavior and various legal troubles during Hole's tour compounded the media coverage of her. Hole performed a series of riotous concerts over the following year, with Love frequently appearing hysterical onstage, flashing crowds, stage diving, and getting into fights with audience members. One journalist reported that at the band's show in Boston in December 1994: "Love interrupted the music and talked about her deceased husband Kurt Cobain, and also broke out into Tourette syndrome-like rants. The music was great, but the raving was vulgar and offensive, and prompted some of the audience to shout back at her."
After Hole's world tour concluded in 1996, Love made a return to acting, first in small roles in the Jean-Michel Basquiat biopic Basquiat and the drama Feeling Minnesota (1996), and then a starring role as Larry Flynt's wife Althea in Miloš Forman's critically acclaimed 1996 film The People vs. Larry Flynt. Love went through rehabilitation and quit using heroin at the insistence of Forman; she was ordered to take multiple urine tests under the supervision of Columbia Pictures while filming, and passed all of them. Despite Columbia Pictures' initial reluctance to hire Love due to her troubled past, her performance received acclaim, earning a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress. Critic Roger Ebert called her work in the film "quite a performance; Love proves she is not a rock star pretending to act, but a true actress." She won several other awards from various film critic associations for the film. During this time, Love maintained what the media noted as a more decorous public image, and she appeared in ad campaigns for Versace and in a Vogue Italia spread. Following the release of The People vs. Larry Flynt, she dated her co-star Edward Norton, with whom she remained until 1999.
In 1999, Love was awarded an Orville H. Gibson award for Best Female Rock Guitarist. During this time, she starred opposite Jim Carrey as his partner Lynne Margulies in the Andy Kaufman biopic Man on the Moon (1999), followed by a role as William S. Burroughs's wife Joan Vollmer in Beat (2000) alongside Kiefer Sutherland. Love was cast as the lead in John Carpenter's sci-fi horror film Ghosts of Mars, but backed out after injuring her foot. She sued the ex-wife of her then-boyfriend, James Barber, whom Love alleged had caused the injury by running over her foot with her Volvo. The following year, she returned to film opposite Lili Taylor in Julie Johnson (2001), in which she played a woman who has a lesbian relationship; Love won an Outstanding Actress award at L.A.'s Outfest. She was then cast in the thriller Trapped (2002), alongside Kevin Bacon and Charlize Theron. The film was a box-office flop.
In February 2003, Love was arrested at Heathrow Airport for disrupting a flight and was banned from Virgin Airlines. In October, she was arrested in Los Angeles after breaking several windows of her producer and then-boyfriend James Barber's home and was charged with being under the influence of a controlled substance; the ordeal resulted in her temporarily losing custody of her daughter.
On March 17, 2004, Love appeared on the Late Show with David Letterman to promote America's Sweetheart. Her appearance drew media coverage when she lifted her shirt multiple times, flashed Letterman, and stood on his desk. The New York Times wrote: "The episode was not altogether surprising for Ms. Love, 39, whose most public moments have veered from extreme pathos—like the time she read the suicide note of her famous husband, Kurt Cobain, on MTV—to angry feminism to catfights to incoherent ranting." Hours later, in the early morning of March 18, Love was arrested in Manhattan for allegedly striking a fan with a microphone stand during a small concert in the East Village. She was released within hours and performed a scheduled concert the following evening at the Bowery Ballroom. Four days later, she called in multiple times to The Howard Stern Show, claiming in broadcast conversations with Stern that the incident had not occurred, and that actress Natasha Lyonne, who was at the concert, was told by the alleged victim that he had been paid $10,000 to file a false claim leading to Love's arrest.
On November 21, 2019, Love recorded the song "Mother", written and produced by Lawrence Rothman, as part of the soundtrack for the horror film The Turning (2020). In January 2020, she received the Icon Award at the NME Awards; NME described her as "one of the most influential singers in alternative culture of the last 30 years". The following month, she confirmed she was writing a new record which she described as "really sad ... [I'm] writing in minor chords, and that appeals to my sadness." In March 2021, Love said she had been hospitalized with acute anemia in August 2020, which had nearly killed her and reduced her weight to 97 lb; she made a full recovery.
Love has been candid about her diverse musical influences, the earliest being Patti Smith, the Runaways, and the Pretenders, artists she discovered while in juvenile hall as a young teenager. As a child, her first exposure to music was records that her parents received each month through Columbia Record Club. The first record Love owned was Leonard Cohen's Songs of Leonard Cohen (1967), which she obtained from her mother: "He was so lyric-conscious and morbid, and I was a pretty morbid kid", she recalled. As a teenager, she named Flipper, Kate Bush, Soft Cell, Joni Mitchell, Laura Nyro, Lou Reed, and Dead Kennedys among her favorite artists. While in Dublin at age fifteen, Love attended a Virgin Prunes concert, an event she credited as being a pivotal influence: "I had never seen so much sex, snarl, poetry, evil, restraint, grace, filth, raw power and the very essence of rock and roll", she recalled. "[I had seen] U2 [who] gave me lashes of love and inspiration, and a few nights later the Virgin Prunes fucked–me–up." Decades later, in 2009, Love introduced the band's frontman Gavin Friday at a Carnegie Hall event, and performed a song with him.
In 1993, Love and husband Kurt Cobain performed an acoustic set together at the Rock Against Rape benefit in Los Angeles, which raised awareness and provided resources for victims of sexual abuse. In 2000, Love publicly advocated for reform of the record industry in a personal letter published by Salon. In the letter, Love said: "It's not piracy when kids swap music over the Internet using Napster or Gnutella or Freenet or iMesh or beaming their CDs into a My.MP3.com or MyPlay.com music locker. It's piracy when those guys that run those companies make side deals with the cartel lawyers and label heads so that they can be 'the label's friend', and not the artists'." In a subsequent interview with Carrie Fisher, she said that she was interested in starting a union for recording artists, and also discussed race relations in the music industry, advocating for record companies to "put money back into the black community [whom] white people have been stealing from for years."
Love has been a long-standing supporter of LGBT causes. She has frequently collaborated with Los Angeles Gay and Lesbian Center, taking part in the center's "An Evening with Women" events. The proceeds of the event help provide food and shelter for homeless youth; services for seniors; legal assistance; domestic violence services; health and mental health services, and cultural arts programs. Love participated with Linda Perry for the event in 2012, and performed alongside Aimee Mann and comedian Wanda Sykes. Speaking on her collaboration on the event, Love said: "Seven thousand kids in Los Angeles a year go out on the street, and forty percent of those kids are gay, lesbian, or transgender. They come out to their parents, and become homeless ... for whatever reason, I don't really know why, but gay men have a lot of foundations—I've played many of them—but the lesbian side of it doesn't have as much money and/or donors, so we're excited that this has grown to cover women and women's affairs."
She has also contributed to AIDS organizations, partaking in benefits for amfAR and the RED Campaign. In May 2011, she donated six of her husband Cobain's personal vinyl records for auction at Mariska Hargitay's Joyful Heart Foundation event for victims of child abuse, rape, and domestic violence. She has also supported the Sophie Lancaster Foundation as well as Stand For Courage, an anti-bullying organization started by Love's sister.
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| Husband | James Moreland (m. 1989-1989) Kurt Cobain (m. 1992-1994) |
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Net Worth and Salary
Courtney Love's net worth in 2025 is estimated to be around $100 million. A significant portion of this fortune comes from her inheritance of Kurt Cobain’s music rights and songwriting royalties, which at one point were valued at over $130 million for writing and $115 million for publishing. She also possesses a notable collection of Cobain’s personal effects, including guitars and memorabilia, valued at over $120 million. While she has publicly stated that mismanagement and fraud led to significant losses from Cobain’s estate, her current net worth remains impressive thanks to ongoing royalties, business ventures, and her own career achievements.
Love was subject of a second landmark libel lawsuit brought against her in January 2014 by her former attorney Rhonda Holmes, who accused Love of online defamation, seeking $8 million in damages. It was the first case of alleged Twitter-based libel in U.S. history to make it to trial. The jury, however, found in Love's favor. A subsequent defamation lawsuit filed by fashion designer Simorangkir in February 2014, however, resulted in Love being ordered to pay a further $350,000 in recompense.
Career, Business, and Investments
Music:
Courtney Love rose to fame as the lead singer and guitarist for Hole, a band that played a pivotal role in shaping 1990s alternative rock. Hole’s albums, such as Live Through This and Celebrity Skin, are considered genre classics.
Acting:
Love has appeared in several films, most notably The People vs. Larry Flynt (1996), for which she earned critical acclaim and several awards. Her performances often showcased her raw energy and authenticity.
Courtney Michelle Love (née Harrison; born July 9, 1964) is an American singer, guitarist, songwriter, and actress. A figure in the alternative and grunge scenes of the 1990s, Love has had a career spanning four decades. She rose to prominence as the lead vocalist and rhythm guitarist of the alternative rock band Hole, which she formed in 1989. Love has drawn public attention for her uninhibited live performances and confrontational lyrics, as well as her highly publicized personal life following her marriage to Nirvana frontman Kurt Cobain.
Love had an itinerant childhood, but was primarily raised in Portland, Oregon, where she played in a series of short-lived bands and was active in the local punk scene. Following a brief stay in a juvenile hall, she spent a year living in Dublin and Liverpool before returning to the United States and pursuing an acting career. She appeared in supporting roles in the Alex Cox films Sid and Nancy (1986) and Straight to Hell (1987) before forming the band Hole in Los Angeles with guitarist Eric Erlandson. The group received critical acclaim from underground rock press for their 1991 debut album Pretty on the Inside, produced by Kim Gordon, while their second release, Live Through This (1994), was met with critical accolades and multi-platinum sales. In 1995, Love returned to acting, earning a Golden Globe Award nomination for her performance as Althea Leasure in Miloš Forman's The People vs. Larry Flynt (1996), which established her as a mainstream actress. The following year, Hole's third album, Celebrity Skin (1998), was nominated for three Grammy Awards.
Shortly after her emancipation, Love spent two months in Japan working as a topless dancer, but was deported after her passport was confiscated. She returned to Portland and began working at the strip club Mary's Club, adopting the surname Love to conceal her identity; she later adopted Love as her surname. She worked odd jobs, including as a DJ at a gay disco. Love said she lacked social skills, and learned them while frequenting gay clubs and spending time with drag queens. During this period, she enrolled at Portland State University, studying English and philosophy. She later commented that, had she not found a passion for music, she would have sought a career working with children.
Displeased by the "celebutante" fame she had attained, Love abandoned her acting career in 1988 and resumed work as a stripper in Oregon, where she was recognized by customers at a bar in the small town of McMinnville. This prompted Love to go into isolation and relocate to Anchorage, Alaska, where she lived for three months to "gather her thoughts", supporting herself by working at a strip club frequented by local fishermen. "I decided to move to Alaska because I needed to get my shit together and learn how to work", she said in retrospect. "So I went on this sort of vision quest. I got rid of all my earthly possessions. I had my bad little strip clothes and some big sweaters, and I moved into a trailer with a bunch of other strippers."
In Hole's formative stages, Love continued to work at strip clubs in Hollywood (including Jumbo's Clown Room and the Seventh Veil), saving money to purchase backline equipment and a touring van, while rehearsing at a Hollywood studio loaned to her by the Red Hot Chili Peppers. Hole played their first show in November 1989 at Raji's, a rock club in central Hollywood. Their debut single, "Retard Girl", was issued in April 1990 through the Long Beach indie label Sympathy for the Record Industry and was played by Rodney Bingenheimer on local rock station KROQ. Hole appeared on the cover of Flipside, a Los Angeles-based punk fanzine. In early 1991, they released their second single, "Dicknail", through Sub Pop Records.
In 1997, Love and former Nirvana members Krist Novoselic and Dave Grohl formed a limited liability company, Nirvana LLC, to manage Nirvana's business dealings. In June 2001, Love filed a lawsuit to dissolve it, blocking the release of unreleased Nirvana material and delaying the release of the Nirvana compilation With the Lights Out. Grohl and Novoselic sued Love, calling her "irrational, mercurial, self-centered, unmanageable, inconsistent and unpredictable". She responded with a letter stating that "Kurt Cobain was Nirvana" and that she and his family were the "rightful heirs" to the Nirvana legacy.
After dropping the Hole name and performing as a solo artist in late 2012, Love appeared in spring 2013 advertisements for Yves Saint Laurent alongside Kim Gordon and Ariel Pink. Love completed a solo tour of North America in mid-2013, which was purported to be in promotion of an upcoming solo album; however, it was ultimately dubbed a "greatest hits" tour, and featured songs from Love's and Hole's back catalogue. Love told Billboard at the time that she had recorded eight songs in the studio.
Love has remarked that lyrics have always been the most important component of songwriting for her: "The important thing for me ... is it has to look good on the page. I mean, you can love Led Zeppelin and not love their lyrics ... but I made a big effort in my career to have what's on the page mean something." Common themes present in Love's lyrics during her early career included body image, rape, suicide, conformity, pregnancy, prostitution, and death. In a 1991 interview with Everett True, she said: "I try to place [beautiful imagery] next to fucked up imagery, because that's how I view things ... I sometimes feel that no one's taken the time to write about certain things in rock, that there's a certain female point of view that's never been given space."
Social Network
Courtney Love is active on social media, particularly Instagram and Twitter, where she shares personal updates, political commentary, and insights into her creative projects. She has a dedicated following that continues to engage with her content, reflecting her enduring influence in pop culture.
Love attended a Montessori school in Eugene, Oregon, where she struggled academically and socially. She has said that she began seeing psychiatrists at "like, [age] three. Observational therapy. TM for tots. You name it, I've been there." At age nine, a psychologist noted that she exhibited signs of autism, among them tactile defensiveness. Love commented in 1995: "When I talk about being introverted, I was diagnosed autistic. At an early age, I would not speak. Then I simply bloomed."
During the tour, Love briefly dated Smashing Pumpkins frontman Billy Corgan and then the Nirvana frontman Kurt Cobain. The journalist Michael Azerrad states that Love and Cobain met in 1989 at the Satyricon nightclub in Portland, Oregon. However, the Cobain biographer Charles Cross gives the date as February 12, 1990; Cross said that Cobain playfully wrestled Love to the floor after she said that he looked like Dave Pirner of Soul Asylum. According to Love, she met Cobain at a Dharma Bums show in Portland, while Love's bandmate Eric Erlandson said that he and Love were introduced to Cobain in a parking lot after a concert at the Hollywood Palladium on May 17, 1991. In late 1991, Love and Cobain became re-acquainted through Jennifer Finch, one of Love's friends and former bandmates. Love and Cobain were a couple by 1992.
Love's first major media exposure came in a September 1992 profile with Cobain for Vanity Fair by Lynn Hirschberg, entitled "Strange Love". Cobain had become a major public figure following the surprise success of Nirvana's album Nevermind. Love was urged by her manager to participate in the cover story. During the prior year, Love and Cobain had developed a heroin addiction; the profile portrayed them in an unflattering light, and suggested that Love had been addicted to heroin during her pregnancy. The Los Angeles Department of Children and Family Services investigated, and custody of Frances was temporarily awarded to Love's sister Jaimee. Love said she was misquoted by Hirschberg, and that she had immediately quit heroin during her first trimester once she discovered she was pregnant. Love later said the article had serious implications for her marriage and Cobain's mental state, suggesting it was a factor in his suicide two years later.
Hole toured with Marilyn Manson on the Beautiful Monsters Tour in 1999, but dropped out after nine performances; Love and Manson disagreed over production costs, and Hole was forced to open for Manson under an agreement with Interscope Records. Hole resumed touring with Imperial Teen. Love later said Hole also abandoned the tour due to Manson and Korn's (whom they also toured with in Australia) sexualized treatment of teenage female audience members. Love told interviewers at 99X.FM in Atlanta: "What I really don't like—there are certain girls that like us, or like me, who are really messed up ... they're very young, and they do not need to be taken and raped, or filmed having enema contests ... [they were] going out into the audience and picking up fourteen and fifteen-year-old girls who obviously cut themselves, and then [I had] to see them in the morning ... it's just uncool."
In the interim, Hole had become dormant. In March 2001, Love began a "punk rock femme supergroup", Bastard, enlisting Schemel, Veruca Salt co-frontwoman Louise Post, and bassist Gina Crosley. Post recalled: "[Love] was like, 'Listen, you guys: I've been in my Malibu, manicure, movie-star world for two years, alright? I wanna make a record. And let's leave all that grunge shit behind us, eh? We were being so improvisational, and singing together, and with a trust developing between us. It was the shit." The group recorded a demo tape, but by September 2001, Post and Crosley had left, with Post citing "unhealthy and unprofessional working conditions". In May 2002, Hole announced their breakup amid continuing litigation with Universal Music Group over their record contract.
After the breakup of Hole, Love began composing material with songwriter Linda Perry, and in July 2003 signed a contract with Virgin Records. She began recording her debut solo album, America's Sweetheart, in France shortly after. Virgin Records released America's Sweetheart in February 2004; it received mixed reviews. Charles Aaron of Spin called it a "jaw-dropping act of artistic will and a fiery, proper follow-up to 1994's Live Through This" and awarded it eight out of ten, while Amy Phillips of The Village Voice wrote: "[Love is] willing to act out the dream of every teenage brat who ever wanted to have a glamorous, high-profile hissyfit, and she turns those egocentric nervous breakdowns into art. Sure, the art becomes less compelling when you've been pulling the same stunts for a decade. But, honestly, is there anybody out there who fucks up better?" The album sold fewer than 100,000 copies. Love later expressed regret over the record, blaming her drug problems at the time. Shortly after it was released, she told Kurt Loder on TRL: "I cannot exist as a solo artist. It's a joke."
In the midst of her legal troubles, Love had endeavors in writing and publishing. She co-wrote a semi-autobiographical manga, Princess Ai (Japanese: プリンセス·アイ物語), with Stu Levy, illustrated by Misaho Kujiradou and Ai Yazawa; it was released in three volumes in the United States and Japan between 2004 and 2006. In 2006, Love published a memoir, Dirty Blonde, and began recording her second solo album, How Dirty Girls Get Clean, collaborating again with Perry and Billy Corgan. Love had written several songs, including an anti-cocaine song titled "Loser Dust", during her time in rehab in 2005. She told Billboard: "My hand-eye coordination was so bad [after the drug use], I didn't even know chords anymore. It was like my fingers were frozen. And I wasn't allowed to make noise [in rehab] ... I never thought I would work again." Tracks and demos for the album leaked online in 2006, and a documentary, The Return of Courtney Love, detailing the making of the album, aired on the British television network More4 in the fall of that year. A rough acoustic version of "Never Go Hungry Again", recorded during an interview for The Times in November, was also released. Incomplete audio clips of the song "Samantha", originating from an interview with NPR, were distributed on the internet in 2007.
In March 2009, fashion designer Dawn Simorangkir brought a libel suit against Love concerning a defamatory post Love made on her Twitter account, which was eventually settled for $450,000. Several months later, in June 2009, NME published an article detailing Love's plan to reunite Hole and release a new album, Nobody's Daughter. In response, former Hole guitarist Eric Erlandson stated in Spin magazine that contractually no reunion could take place without his involvement; therefore Nobody's Daughter would remain Love's solo record, as opposed to a "Hole" record. Love responded to Erlandson's comments in a Twitter post, claiming "he's out of his mind, Hole is my band, my name, and my Trademark". Nobody's Daughter was released worldwide as a Hole album on April 27, 2010. For the new line-up, Love recruited guitarist Micko Larkin, Shawn Dailey (bass guitar), and Stu Fisher (drums, percussion). Nobody's Daughter featured material written and recorded for Love's unfinished solo album, How Dirty Girls Get Clean, including "Pacific Coast Highway", "Letter to God", "Samantha", and "Never Go Hungry", although they were re-produced in the studio with Larkin and engineer Michael Beinhorn. The album's subject matter was largely centered on Love's tumultuous life between 2003 and 2007, and featured a polished folk rock sound, and more acoustic guitar work than previous Hole albums.
The first single from Nobody's Daughter was "Skinny Little Bitch", released to promote the album in March 2010. The album received mixed reviews. Robert Sheffield of Rolling Stone gave the album three out of five, saying Love "worked hard on these songs, instead of just babbling a bunch of druggy bullshit and assuming people would buy it, the way she did on her 2004 flop, America's Sweetheart". Sal Cinquemani of Slant Magazine also gave the album three out of five: "It's Marianne Faithfull's substance-ravaged voice that comes to mind most often while listening to songs like 'Honey' and 'For Once in Your Life'. The latter track is, in fact, one of Love's most raw and vulnerable vocal performances to date ... the song offers a rare glimpse into the mind of a woman who, for the last 15 years, has been as famous for being a rock star as she's been for being a victim." Love and the band toured internationally from 2010 into late 2012 promoting the record, with their pre-release shows in London and at South by Southwest receiving critical acclaim. In 2011, Love participated in Hit So Hard, a documentary chronicling bandmate Schemel's time in Hole.
Though often associated with punk music, Love has noted that her most significant musical influences have been post-punk and new wave artists. Commenting in 2021, Love said: "There's this idea of 'Courtney is punk and stuck in 1995!' but that's not the case. I was more [influenced by] new wave or post-punk. My number one greatest song of all time is 'Love Will Tear Us Apart' by Joy Division, and I will take no fucking prisoners in that battle. But the band that affected me more than even Leonard Cohen and Bob Dylan was Echo and the Bunnymen." Over the years, Love has also named several other new wave and post-punk bands as influences, including the Smiths, Siouxsie and the Banshees, Television, and Bauhaus.
Musically, Love's work with Hole and her solo efforts have been characterized as alternative rock; Hole's early material, however, was described by critics as being stylistically closer to grindcore and aggressive punk rock. Spin's October 1991 review of Hole's first album noted Love's layering of harsh and abrasive riffs buried more sophisticated musical arrangements. In 1998, she stated that Hole had "always been a pop band. We always had a subtext of pop. I always talked about it, if you go back ... what'll sound like some weird Sonic Youth tuning back then to you was sounding like the Raspberries to me, in my demented pop framework."
Love has a contralto vocal range. According to Love, she never wanted to be a singer, but rather aspired to be a skilled guitarist: "I'm such a lazy bastard though that I never did that", she said. "I was always the only person with the nerve to sing, and so I got stuck with it." She has been regularly noted by critics for her husky vocals as well as her "banshee [-like]" screaming abilities. Her vocals have been compared to those of Johnny Rotten, and David Fricke of Rolling Stone described them as "lung-busting" and "a corrosive, lunatic wail". Upon the release of Hole's 2010 album, Nobody's Daughter, Amanda Petrusich of Pitchfork compared Love's raspy, unpolished vocals to those of Bob Dylan. In 2023, Rolling Stone ranked Love at number 130 on its list of the 200 Greatest Singers of All Time.
Love has referred to herself as "a shit guitar player", further commenting in a 2014 interview: "I can still write a song, but [the guitar playing] sounds like shit ... I used to be a good rhythm player but I am no longer dependable." Throughout her career, she has also garnered a reputation for unpredictable live shows. In the 1990s, her performances with Hole were characterized by confrontational behavior, with Love stage diving, smashing guitars or throwing them into the audience, wandering into the crowd at the end of sets, and engaging in sometimes incoherent rants. Critics and journalists have noted Love for her comical, often stream-of-consciousness-like stage banter. Music journalist Robert Hilburn wrote in 1993 that, "rather than simply scripted patter, Love's comments between songs [have] the natural feel of someone who is sharing her immediate feelings." In a review of a live performance published in 2010, it was noted that Love's onstage "one-liners [were] worthy of the Comedy Store."
With over 3 million records sold in the United States alone, Hole became one of the most successful rock bands of all time fronted by a woman. VH1 ranked Love no. 69 in their list of The 100 Greatest Women in Music History in 2012. In 2015, the Phoenix New Times declared Love the number one greatest female rock star of all time, writing: "To build a perfect rock star, there are several crucial ingredients: musical talent, physical attractiveness, tumultuous relationships, substance abuse, and public meltdowns, just to name a few. These days, Love seems to have rebounded from her epic tailspin and has leveled out in a slightly more normal manner, but there's no doubt that her life to date is the type of story people wouldn't believe in a novel or a movie."
Among the alternative musicians who have cited Love as an influence are Scout Niblett; Brody Dalle of The Distillers; Dee Dee Penny of Dum Dum Girls; Florence Welch; Annie Hardy of Giant Drag; and Nine Black Alps. Contemporary female pop artists Lana Del Rey, Avril Lavigne, Tove Lo, and Sky Ferreira have also cited Love as an influence. Love has frequently been recognized as the most high-profile contributor of feminist music during the 1990s, and for "subverting [the] mainstream expectations of how a woman should look, act, and sound." According to music journalist Maria Raha, "Hole was the highest-profile female-fronted band of the '90s to openly and directly sing about feminism." Patti Smith, a major influence of Love's, also praised her, saying: "I hate genderizing things ... [but] when I heard Hole, I was amazed to hear a girl sing like that. Janis Joplin was her own thing; she was into Big Mama Thornton and Bessie Smith. But what Courtney Love does, I'd never heard a girl do that."
She has also been a gay icon since the mid-1990s, and has jokingly referred to her fanbase as consisting of "females, gay guys, and a few advanced, evolved heterosexual men." Love's aesthetic image, particularly in the early 1990s, also became influential and was dubbed "kinderwhore" by critics and media. The subversive fashion mainly consisted of vintage babydoll dresses accompanied by smeared makeup and red lipstick. MTV reporter Kurt Loder described Love as looking like "a debauched rag doll" onstage. Love later said she had been influenced by the fashion of Chrissy Amphlett of the Divinyls. Interviewed in 1994, Love commented "I would like to think–in my heart of hearts–that I'm changing some psychosexual aspects of rock music. Not that I'm so desirable. I didn't do the kinder-whore thing because I thought I was so hot. When I see the look used to make one more appealing, it pisses me off. When I started, it was a What Ever Happened to Baby Jane? thing. My angle was irony."
Education
Courtney Love’s early life was marked by instability, and she spent time in various group homes and with foster families. She attended several schools throughout her youth, including the University of Oregon and Trinity College, Dublin, although her formal education was sporadic due to her unconventional upbringing and early pursuit of a career in music and entertainment.
