Age, Biography, and Wiki
John Wayne was born Marion Michael Morrison on May 26, 1907, in Winterset, Iowa. He is best known for his rugged, masculine roles in films like The Searchers, The Man Who Shot Liberty Valance, and True Grit. Wayne's career was marked by his iconic performances and his distinctive voice, which became synonymous with American cinema. He was married three times and had seven children, leaving behind a legacy that extends beyond his filmography to his personal life and family.
| Occupation | Football Players |
|---|---|
| Date of Birth | 26 May 1907 |
| Age | 118 Years |
| Birth Place | Winterset, Iowa, U.S. |
| Horoscope | Gemini |
| Country | U.S |
| Date of death | 11 June, 1979 |
| Died Place | Los Angeles, California, U.S. |
Height, Weight & Measurements
John Wayne stood at approximately 6 feet 4 inches tall and weighed around 230 pounds, which suited his larger-than-life on-screen persona. His physical stature often complemented his roles in Westerns and action films.
Batjac, the production company co-founded by Wayne in 1952, was named after the fictional shipping company Batjak in Wake of the Red Witch (1948), a film based on the novel by Garland Roark. (A spelling error by Wayne's secretary was allowed to stand, accounting for the variation.) Batjac (and its predecessor, Wayne-Fellows Productions) was the arm through which Wayne produced many films for himself and other stars. Its best-known non-Wayne productions were Seven Men From Now (1956), which started the classic collaboration between director Budd Boetticher and star Randolph Scott, and Gun the Man Down (1956) with contract player James Arness as an outlaw.
| Height | 6 feet 4 inches |
| Weight | 230 pounds |
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Dating & Relationship Status
Wayne was married three times:
- Josephine Alicia Saenz (married from 1933 to 1945)
- Esperanza Baur (married from 1946 to 1954)
- Pilar Pallette (married from 1954 until his death in 1979). He also had seven children from these marriages.
The local paper, Winterset Madisonian, reported on page 4 of the edition of May 30, 1907, that Wayne weighed 13 lb (around 6 kg) at birth. Wayne claimed his middle name was soon changed from Robert to Michael when his parents decided to name their next son Robert, but extensive research has found no such legal change, although it might have been changed informally or the documentation may have been lost. Wayne's legal name apparently remained Marion Robert Morrison his entire life, although to this day his original name is almost always referred to as Marion Michael Morrison.
Wayne's father, Clyde Leonard Morrison (1884–1937), was the son of Marion Mitchell Morrison (1845–1915), a veteran who'd served in the Union army during the American Civil War. Wayne's mother, the former Mary "Molly" Alberta Brown (1885–1970), was from Lancaster County, Nebraska. Wayne had Scottish, Scotch-Irish, English, and Irish ancestry. His great-great-grandfather Robert Morrison (b. 1782) left County Antrim, Ireland, with his mother, arriving in New York in 1799 and eventually settling in Adams County, Ohio. The Morrisons were originally from the Isle of Lewis in the Outer Hebrides, Scotland. He was raised Presbyterian.
Wayne's family moved to Palmdale, California, and then in 1916 to Glendale at 404 Isabel Street, where his father worked as a pharmacist. He attended Glendale Union High School, where he performed well in both sports and academics. Wayne was part of his high school's football team and its debating team. He was also the president of the Latin Society and contributed to the school's newspaper sports column.
In June 1971, George Sherman's Big Jake made its debut. Wayne played the role of an estranged father who must track down a gang who kidnapped his grandson. The film was a critically acclaimed hit.
In 1972, Wayne starred in Mark Rydell's The Cowboys. Vincent Canby of The New York Times, who did not particularly care for the film, wrote: "Wayne is, of course, marvelously indestructible, and he has become an almost perfect father figure". The same year, he was selected in the last round of the NFL draft by the Atlanta Falcons for his past football experience, though the pick was disallowed by league officials as he was 64 years old at the time.
Several of Wayne's children entered the film and television industry. Son Ethan was billed as John Ethan Wayne in a few films, and played one of the leads in the 1990s update of the Adam-12 television series. Ethan has also appeared on the History Channel show Pawn Stars to help authenticate merchandise supposedly related to his father's career. Granddaughter Jennifer Wayne, daughter of Aissa, is a member of the country music group Runaway June.
Wayne openly differed with many conservatives over the issue of returning the Panama Canal, as he supported the Panama Canal Treaty in the mid-1970s; while Republican leaders such as Reagan, Jesse Helms, and Strom Thurmond had wanted the U.S. to retain full control of the canal, Wayne and fellow conservative William F. Buckley believed that the Panamanians had the right to the canal and sided with President Jimmy Carter. Wayne was a close friend of Panamanian leader Omar Torrijos Herrera, and Wayne's first wife Josephine was a native of Panama. His support of the treaty brought him hate mail for the first time in his life.
| Parents | |
| Husband | Josephine Sáenz (m. 1933-1945) Esperanza Baur (m. 1946-1954) Pilar Pallete (m. 1954) |
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Net Worth and Salary
At the time of his death in 1979, John Wayne's net worth was estimated to be around $7 million, which would be approximately $25 million in today's dollars after adjusting for inflation. His annual passive income from investments and royalties was about $100,000, or roughly $350,000 today. His estate included significant real estate holdings and personal assets.
As a favor to coach Jones, who had given silent Western film star Tom Mix tickets to USC games, director John Ford and Mix hired Wayne as a prop boy and extra. Wayne later credited his walk, talk, and persona to his acquaintance with Wyatt Earp, who was good friends with Mix. Wayne soon moved to bit parts, establishing a longtime friendship with Ford, the director who provided most of those roles. Early in this period, he had a minor, uncredited role as a guard in the 1926 film Bardelys the Magnificent. Wayne also appeared with his USC teammates playing football in Brown of Harvard (1926), The Dropkick (1927), and Salute (1929) and Columbia's Maker of Men (filmed in 1930, released in 1931). While working for Fox Film Corporation in bit roles, Wayne was given on-screen credit as "Duke Morrison" only once, in Words and Music (1929). Director Raoul Walsh saw him moving studio furniture while working as a prop boy and cast him in his first starring role in The Big Trail (1930). For his screen name, Walsh suggested "Anthony Wayne", after Revolutionary War General "Mad" Anthony Wayne. Fox Studios chief Winfield Sheehan rejected it as sounding "too Italian". Walsh then suggested "John Wayne". Sheehan agreed, and the name was set. Wayne was not even present for the discussion. His pay was raised to $105 a week.
Career, Business, and Investments
John Wayne's career was highlighted by his work as an actor, director, and producer. He founded Batjac Productions, which allowed him to produce many of his films and regain control over his career. Through savvy business decisions and careful management of his finances, Wayne was able to rebuild his wealth after facing financial challenges earlier in his life. His films were often commercially successful, contributing significantly to his net worth.
Marion Robert Morrison (May 26, 1907 – June 11, 1979), known professionally as John Wayne, was an American actor. Nicknamed "Duke", he became a popular icon through his starring roles in films which were produced during Hollywood's Golden Age, especially in Western and war movies. His career flourished from the silent film era of the 1920s through the American New Wave, as he appeared in a total of 179 film and television productions. He was among the top box-office draws for three decades and appeared with many other important Hollywood stars of his era. In 1999, the American Film Institute selected Wayne as one of the greatest male stars of classic American cinema.
After losing his football scholarship to the University of Southern California due to a bodysurfing accident, he began working for the Fox Film Corporation. He appeared mostly in small parts, but his first leading role came in Raoul Walsh's Western The Big Trail (1930), an early widescreen film epic that was a box-office failure. He played leading roles in numerous B movies during the 1930s, most of them also Westerns, without becoming a major name. John Ford's Stagecoach (1939) made Wayne a mainstream star, and he starred in 142 motion pictures altogether. According to biographer Ronald Davis, "John Wayne personified for millions the nation's frontier heritage."
Wayne applied to the U.S. Naval Academy, but was not accepted due to poor grades. Instead, he attended the University of Southern California (USC), majoring in pre-law. He was a member of the Trojan Knights and Sigma Chi fraternities. Wayne, who stood 6ft 4+1/2in tall, also played on the USC football team under coach Howard Jones. A broken collarbone injury curtailed his athletic career; Wayne later noted that he was too terrified of Jones' reaction to reveal the actual cause of his injury, a bodysurfing accident. He lost his athletic scholarship, and without funds, had to leave the university.
After the commercial failure of The Big Trail, Wayne was relegated to small roles in A pictures, including Columbia's The Deceiver (1931), in which he played a corpse. He appeared in the serial The Three Musketeers (1933), an updated version of the Alexandre Dumas novel in which the protagonists were soldiers in the French Foreign Legion in then-contemporary North Africa. He played the lead, with his name over the title, in many low-budget Poverty Row Westerns, mostly at Monogram Pictures and serials for Mascot Pictures Corporation. By Wayne's own estimation, he appeared in about 80 of these horse operas from 1930 to 1939. In Riders of Destiny (1933), he became one of the first singing cowboys of film, albeit via dubbing. Wayne also appeared in some of the Three Mesquiteers Westerns, whose title was a play on the Dumas classic. He was mentored by stuntmen in riding and other Western skills. Stuntman Yakima Canutt and Wayne developed and perfected stunts and onscreen fisticuffs techniques that are still in use. One of the main innovations with which Wayne is credited in these early Poverty Row Westerns is allowing the good guys to fight as convincingly as the bad guys, by not always making them fight clean. Wayne claimed, "Before I came along, it was standard practice that the hero must always fight clean. The heavy was allowed to hit the hero in the head with a chair or throw a kerosene lamp at him or kick him in the stomach, but the hero could only knock the villain down politely and then wait until he rose. I changed all that. I threw chairs and lamps. I fought hard and I fought dirty. I fought to win."
Howard Hawks's Rio Bravo premiered on March 18, 1959. In it, Wayne plays the lead with a supporting cast including Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan and Ward Bond. Ford's The Horse Soldiers had its world premiere in Shreveport, Louisiana on June 18. Set during the Civil War, Wayne shares the lead with William Holden.
Wayne was fond of literature, his favorite authors being Charles Dickens, Arthur Conan Doyle, and Agatha Christie. His favorite books were David Copperfield, and Conan Doyle's historical novels The White Company and Sir Nigel.
Wayne had been a chain smoker of cigarettes since young adulthood and was diagnosed with lung cancer in 1964. He underwent successful surgery to remove his entire left lung and two ribs. Despite efforts by his business associates to prevent him from going public with his illness for fear that it would cost him work, Wayne announced he had cancer and called on the public to get preventive examinations. Five years later, Wayne was declared cancer-free. Wayne has been credited with coining the term "the Big C" as a euphemism for cancer. Wayne biographer Michael Munn chronicled Wayne's drinking habits. According to Sam O'Steen's memoir, Cut to the Chase, studio directors knew to shoot Wayne's scenes before noon, because by afternoon, he "was a mean drunk". Ebert quotes him as saying: "Tequila makes your head hurt. Not from your hangover. From falling over and hitting your head."
Wayne supported Vice President Richard Nixon in the presidential election of 1960, but expressed his vision of patriotism when John F. Kennedy won the election: "I didn't vote for him, but he's my president, and I hope he does a good job." He used his star power to support conservative causes, including rallying support for the Vietnam War by producing, co-directing, and starring in the financially successful film The Green Berets (1968). In 1960, he joined the anti-communist John Birch Society, but quit after the organization denounced fluoridation of water supplies as a communist plot. In 1964, Wayne was a staunch supporter of Barry Goldwater, and actively campaigned for him.
In 1973, actor Marlon Brando refused an Oscar he had won, due to "the treatment of American Indians today by the film industry"; Brando did not attend the award ceremony but asked Native American civil rights activist Sacheen Littlefeather to attend and deliver a refusal speech in the event that he won. Wayne was allegedly waiting in the wings and was so angry about her presence there that Littlefeather said "he was coming towards me to forcibly take me off the stage, and he had to be restrained by six security men to prevent him from doing so." However, an investigation in 2022 found that this is unlikely to have happened, and Littlefeather had no way of witnessing this take place.
Wayne was posthumously awarded the Presidential Medal of Freedom on June 9, 1980, by President Jimmy Carter. He had attended Carter's inaugural ball in 1977 "as a member of the loyal opposition", as he described it. In 1998, he was awarded the Naval Heritage Award by the US Navy Memorial Foundation for his support of the Navy and military during his film career. In 1999, the American Film Institute named Wayne 13th among the Greatest Male Screen Legends of classic Hollywood cinema.
Various public locations are named in honor of Wayne, including the John Wayne Airport in Orange County, California, where a 9 ft bronze equestrian statue of him stands at the entrance; the John Wayne Marina for which Wayne bequeathed the land, near Sequim, Washington; John Wayne Elementary School (P.S. 380) in Brooklyn, New York, which boasts a 38 ft mosaic mural commission by New York artist Knox Martin entitled "John Wayne and the American Frontier"; and over 100 mi named the "John Wayne Pioneer Trail" in Washington's Iron Horse State Park. A larger-than-life-sized bronze statue of Wayne atop a horse was erected at the corner of La Cienega Boulevard and Wilshire Boulevard in Beverly Hills, California, at the former offices of the Great Western Savings and Loan Corporation, for which Wayne had made a number of commercials. In the city of Maricopa, Arizona, part of Arizona State Route 347 is named John Wayne Parkway, which runs through the center of town.
In 2006, friends of Wayne and his former Arizona business partner, Louis Johnson, inaugurated the "Louie and the Duke Classics" events benefiting the John Wayne Cancer Foundation and the American Cancer Society. The weekend-long event each fall in Casa Grande, Arizona, includes a golf tournament, an auction of John Wayne memorabilia, and a team roping competition.
The John Wayne Cancer Foundation was founded in 1985 in honor of John Wayne, after his family granted the use of his name (and limited funding) for the continued fight against cancer. The foundation's mission is to "bring courage, strength, and grit to the fight against cancer". The foundation provides funds for innovative programs that improve cancer patient care, including research, education, awareness, and support.
Newport Beach, California-based John Wayne Enterprises, a business operated by Wayne's heirs, sells products, including Kentucky straight Bourbon, bearing the "Duke" brand and using Wayne's picture. When the company tried to trademark the image appearing on one of the bottles, Duke University in Durham, North Carolina, filed a notice of opposition. According to court documents, Duke has tried three times since 2005 to stop the company from trademarking the name. The company sought a declaration permitting registration of their trademark. The company's complaint filed in federal court said the university did "not own the word 'Duke' in all contexts for all purposes." The university's official position was not to object provided Wayne's image appeared with the name. On September 30, 2014, Orange County, California federal judge David Carter dismissed the company's suit, deciding the plaintiffs had chosen the wrong jurisdiction.
Social Network
Although social media platforms did not exist during John Wayne's lifetime, his legacy continues to be celebrated through various fan communities and tributes across platforms like Instagram, Facebook, and Twitter.
Like most Hollywood stars of his era, Wayne appeared as a guest on radio programs, such as: The Hedda Hopper Show and The Louella Parsons Show. He made a number of appearances in dramatic roles, mainly recreations for radio of his own film roles, on such programs as Screen Directors Playhouse and Lux Radio Theatre. For six months in 1942, Wayne starred in his own radio adventure series, Three Sheets to the Wind, produced by film director Tay Garnett. In the series, an international spy/detective show, Wayne played Dan O'Brien, a detective who used alcoholism as a mask for his investigatory endeavors. The show was intended by Garnett to be a pilot of sorts for a film version, though the motion picture never came to fruition. No episodes of the series featuring Wayne seem to have survived, though a demonstration episode with Brian Donlevy in the leading role does exist. Wayne, not Donlevy, played the role throughout the series' run on NBC. Director Robert Rossen offered to Wayne the starring role in All the King's Men (1949), but Wayne refused, believing the script to be "un-American in many ways." Broderick Crawford, who was eventually cast in the role, won the 1949 Oscar for Best Actor, ironically beating out Wayne, who had been nominated for Sands of Iwo Jima (1949).
In 1962, Wayne starred in John Ford's The Man Who Shot Liberty Valance with James Stewart. May 29 marked the premiere of Howard Hawks' Hatari!, shot on location in Africa with Wayne playing the lead capturing wild animals from the beds of trucks; all the scenes with animals in the film are real. On October 4, The Longest Day started its theatrical run, with Wayne memorably acting with an ensemble cast. Although the other top-level actors in the film accepted a token payment of only $10,000 each to play their roles, making the all-star cast feasible for the budget, Wayne was paid a quarter of a million dollars due to an earlier dispute with producer Darryl F. Zanuck. During this time, the cast of the television drama, Combat!, were preparing for the inaugural season. The principal cast (including Vic Morrow) were to go through a week of basic training at the Army's Infantry Training Center at Fort Ord in northern California. Morrow noted that the instructors who worked with the cast at Fort Ord had one common request: not to act like John Wayne. "Poor John," Morrow told a reporter. "I wonder if he knows he's almost a dirty word in the Army."
In 1965, Wayne played the brief cameo role of a centurion in George Stevens's The Greatest Story Ever Told. On April 6, he shared the screen with Kirk Douglas and Patricia Neal in Otto Preminger's In Harm's Way. On June 13, he acted in Hathaway's The Sons of Katie Elder with Dean Martin.
Wayne had several high-profile affairs, including one with Merle Oberon that lasted from 1938 to 1947. After his separation from Pilar, in 1973, Wayne became romantically involved and lived with his former secretary Pat Stacy (1941–1995) until his death in 1979. Stacy published a book about her life with him in 1983, titled Duke: A Love Story.
Due to his status as the highest-profile Republican star in Hollywood, wealthy Texas Republican Party backers asked Wayne to run for national office in 1968, like his friend and fellow actor Senator George Murphy. He declined, joking that he did not believe the public would seriously consider an actor in the White House. Instead, he supported his friend Ronald Reagan's campaigns for Governor of California in 1966 and 1970. He was asked to be the running mate for Democratic Alabama Governor George Wallace, who had been nominated for president by the American Independent Party, in his 1968 campaign, but he immediately rejected the offer and actively campaigned for Nixon; Wayne addressed the 1968 Republican National Convention on its opening day.
Left-wing activist Abbie Hoffman paid tribute to Wayne's singularity, saying, "I like Wayne's wholeness, his style. As for his politics, well—I suppose even cavemen felt a little admiration for the dinosaurs that were trying to gobble them up." Maoist avant garde film maker and critic Jean Luc Godard, in his Cahiers du Cinéma text "3000 heures de cinéma" ("3000 hours of cinema"), asked rhetorically: "How can I hate John Wayne upholding Goldwater and yet love him when abruptly he takes Natalie Wood in his arms in the last reel of The Searchers?"
In the same Playboy interview, he also responded to questions about whether social programs were good for the country: "I know all about that. In the late '20s, when I was a sophomore at USC, I was a socialist myself—but not when I left. The average college kid idealistically wishes everybody could have ice cream and cake for every meal, but as he gets older and gives more thought to his and his fellow man's responsibilities, he finds that it can't work out that way—that some people just won't carry their load ... I believe in welfare—a welfare work program. I don't think a fella should be able to sit on his backside and receive welfare. I'd like to know why well-educated idiots keep apologizing for lazy and complaining people who think the world owes them a living. I'd like to know why they make excuses for cowards who spit in the faces of the police and then run behind the judicial sob sisters. I can't understand these people who carry placards to save the life of some criminal, yet have no thought for the innocent victim."
In 1974, film critic Charles Champlin wrote of Wayne: "Wayne is a motion picture actor, first, last and always, who defined as powerfully as anyone else what that means. From the lean and intense early days, in those low-cost dusters which still play on morning television, Wayne has had a presence which got through the lenses and shutters and onto the film undiminished." John Ford said of him: "He's not something out of a book, governed by acting rules. He portrays John Wayne, a rugged American guy. He's not one of those method actors, like they send out here from drama schools in New York. He's real, perfectly natural." Lee Strasberg observed that Wayne was similar to fellow actors Spencer Tracy and Gary Cooper, who "try not to act but be themselves".
Wayne thought of himself as a reactor rather than an actor, and felt that the difference between good and bad acting was in acting and reacting. He explained this difference: "In a bad picture, you see them acting all over the place. In a good picture, they react in a logical way to a situation they're in, so the audience can identify with the actors." When asked about his approach to acting, Wayne commented: "I read dramatic lines undramatically and react to situations normally. This is not as simple as it sounds. I've spent a major portion of my life trying to do it well and I am not past learning it yet." Much like many actors of his generation, Wayne disliked method acting, and once said of them: "Let those actors who picked their noses get all the dialogue, just give me the close-up of reaction."
Despite his popularity at the box office, Wayne was often criticized for playing the same type of character during most of his career. In a 1969 interview with Roger Ebert, Wayne remarked: "Of course, they give me that John Wayne stuff so much, claim I always play the same role. Seems like nobody remembers how different the fellows were in The Quiet Man or Iwo Jima, or Yellow Ribbon, where I was 35 playing a man of 65. To stay a star, you have to bring along some of your own personality. Thousands of good actors can carry a scene, but a star has to carry the scene and still, without intruding, allow some of his character into it."
"It is important for you to know that I am a registered Democrat, and to my knowledge, share none of the political views espoused by Duke. However, whether he is ill disposed or healthy, John Wayne is far beyond the normal political sharpshooting in this community. Because of his courage, his dignity, his integrity, and because of his talents as an actor, his strength as a leader, his warmth as a human being throughout his illustrious career, he is entitled to a unique spot in our hearts and minds. In this industry, we often judge people, sometimes unfairly, by asking whether they have paid their dues. John Wayne has paid his dues over and over, and I'm proud to consider him a friend and am very much in favor of my government recognizing in some important fashion the contribution that Mr. Wayne has made."
Wayne rose beyond the typical recognition for a famous actor to that of an enduring icon who symbolized and communicated American values and ideals. Using the power of communication through silent films and radio, Wayne was instrumental in creating a national culture from disparate areas of the US, and made the creation of a national hero possible. By the middle of his career, Wayne had developed a larger-than-life image, and as his career progressed, he selected roles that would not compromise his off-screen image. Wayne embodied the image of strong American masculinity and rugged individualism in both his films and his life. At a party in 1957, Wayne confronted actor Kirk Douglas about the latter's decision to play the role of Vincent van Gogh in the film Lust for Life, saying: "Christ, Kirk, how can you play a part like that? There's so goddamn few of us left. We got to play strong, tough characters. Not these weak queers." However, actor Marlon Brando was notably critical of Wayne's public persona and of the cultural insensitivity of Wayne's characters, arguing on The Dick Cavett Show that, "We [Americans] like to see ourselves as perhaps John Wayne sees us. That we are a country that stands for freedom, for rightness, for justice," before adding that "it just simply doesn't apply."
Mylène Demongeot declared in a 2015 filmed interview: "Gary Cooper was sublime, there I have to say, now he, was part of the stars, Gary Cooper, Cary Grant, John Wayne, those great Americans who I've met really were unbelievable guys, there aren't any like them anymore."
* Wayne turned down the lead role in the 1952 film High Noon because he felt the film's story was an allegory against blacklisting, which he actively supported. In a 1971 interview, Wayne said he considered High Noon "the most un-American thing I've ever seen in my whole life", and that he would "never regret having helped run screenwriter Carl Foreman [who was later blacklisted] out of the country".
Education
John Wayne attended Glendale Union High School and later received a football scholarship to the University of Southern California (USC), but he did not graduate due to financial constraints, which led him to pursue a career in acting.
A local fireman at the station on his route to school in Glendale started calling him "Little Duke" because he never went anywhere without his huge Airedale Terrier, Duke. He preferred "Duke" to "Marion", and the nickname stuck. Wayne attended Wilson Middle School in Glendale. As a teen, he worked in an ice-cream shop for a man who shod horses for Hollywood studios. He was also active as a member of the Order of DeMolay. He played football for the 1924 league champion Glendale High School team.
Wayne's hair began to thin in the 1940s, and he had begun to wear a hairpiece by the end of the decade. He was occasionally seen in public without the hairpiece (such as, according to Life, at Gary Cooper's funeral). During an appearance at Harvard University, Wayne was asked by a student, "Is it true that your toupée is real mohair?" He responded: "[...] sir, that's real hair. Not mine, but real hair."
He was a very active Freemason. He was made a Master Mason at Marion McDaniel Lodge No. 56 F&AM, in Tucson, Arizona. He became a 32nd Degree Scottish Rite Mason and later joined the Al Malaikah Shrine Temple in Los Angeles, along with fellow actor Roy Rogers. He later became a member of the York Rite. During his childhood, he was a member of a local Demolay chapter in Glendale.
In October 2019, student activists of Wayne's alma mater University of Southern California called for removing from the university's premises an exhibit dedicated to Wayne, citing the interview as cause. In July 2020, it was announced that the materials of the 2012-created exhibit would be moved to the USC Cinematic Arts Library for "research," to "allow scholarship to continue on the role John Wayne's films played in the history of cinema."
Although he enrolled in a cancer vaccine study in an attempt to ward off the disease, Wayne died of stomach cancer on June 11, 1979, aged 72, at the UCLA Medical Center in Los Angeles. He was buried in the Pacific View Memorial Park Cemetery in Corona del Mar, Newport Beach. According to his son Patrick and his grandson Matthew Muñoz, who was a priest in the California Diocese of Orange, Wayne converted to Roman Catholicism shortly before his death. He requested that his tombstone read "Feo, Fuerte y Formal ", a Spanish epitaph Wayne described as meaning "ugly, strong, and dignified". His grave, which was unmarked for 20 years, has been marked since 1999 with the quotation:
In 1973, The Harvard Lampoon, a satirical paper run by Harvard University students, invited Wayne to receive The Brass Balls Award, created in his "honor", after calling him "the biggest fraud in history". Wayne accepted the invitation as a chance to promote the recently released film McQ, and a Fort Devens Army convoy offered to drive him into Harvard Square on an armored personnel carrier. The ceremony was held on January 15, 1974, at the Harvard Square Theater and the award was officially presented in honor of Wayne's "outstanding machismo and penchant for punching people". Although the convoy was met with protests by members of the American Indian Movement and others, some of whom threw snowballs, Wayne received a standing ovation from the audience when he walked onto the stage. An internal investigation was launched into the Army's involvement in the day.
