Linda Fiorentino

Linda Fiorentino Net Worth 2025: Earnings & Career

Linda Fiorentino is a renowned American actress born on March 9, 1958, in South Philadelphia, Pennsylvania. She is best known for her roles in films like Vision Quest, Jade, Men in Black, and The Last Seduction. This article provides an overview of her biography, career, financial status, and personal life.

Personal Profile About Linda Fiorentino

Age, Biography, and Wiki

Linda Fiorentino was born on March 9, 1958, which makes her 67 years old as of 2025. She made her screen debut in 1985 with leading roles in Vision Quest, Gotcha, and an appearance in Martin Scorsese's After Hours. Her distinctive features, including "raven hair, intense gaze and low voice," have been noted throughout her career.

Occupation Photographer
Date of Birth 9 March 1958
Age 67 Years
Birth Place Philadelphia, Pennsylvania, U.S.
Horoscope Pisces
Country U.S

Height, Weight & Measurements

There is limited information available regarding Linda Fiorentino's current height and weight. However, she is known for her striking appearance, which has been a hallmark of her acting career.

Height
Weight
Body Measurements
Eye Color
Hair Color

Dating & Relationship Status

Fiorentino was previously married to writer and film director John Byrum. There is no recent publicly available information regarding her current relationship status.

One of her sisters is model and photographer Donya Fiorentino, who had been married to filmmaker David Fincher and British actor Gary Oldman. Fiorentino's parents—a steel contractor and a housewife—raised her in South Philadelphia, and later moved the family to the Turnersville section of Washington Township in nearby South Jersey. Fiorentino was a "bright student" at school but was also rebellious and would "argue with the nuns about the Bible and they seemed to love it." Fiorentino's mother later said, "Linda has a great facade. She comes off as very bold, but she's really very shy."

For the rest of the mid-to-late 1980s, she appeared as a downtown artist in Martin Scorsese's After Hours and as the wife of an art collector in 1920's Paris in Alan Rudolph's The Moderns. After Hours was critically acclaimed for its black humor, and is considered to be an underrated Scorsese film. Roger Ebert gave After Hours a rating of four out of four stars and added the film to his "Great Movies" list. In its review of The Moderns, Variety wrote: "Fiorentino is ideal as the gorgeous American of a prosaic background over whom men may lose their hearts, mind and lives."

The New York Times described Fiorentino as "a sleek seductress who, like the femmes fatale of [Barbara] Stanwyck's day, will stop at nothing to get her way." After coldheartedly double-crossing her husband (Bill Pullman) in a drug deal, Bridget heads to an upstate New York town where she goes by "Wendy" and involves Mike (Peter Berg), a gullible local, in a murderous scheme. Fiorentino improvised a scene in which her character and Berg's character have sex against a chain-link fence behind the bar they just met in. "I was just trying to keep up with her at that point," Berg said in an interview.

Fiorentino later had a relationship with Los Angeles private investigator Anthony Pellicano, in the period leading to his 2008 trial and conviction, in Los Angeles, on multiple felony charges. While Pellicano was being investigated, Fiorentino also dated former Federal Bureau of Investigation agent Mark Rossini, which law enforcement officials said was her attempt to assist Pellicano's defense. According to prosecutors, Fiorentino told Rossini that she was researching a screenplay based on Pellicano's case. Rossini conducted searches of government computers for information related to the case and passed the results to Fiorentino, who then handed the files over to Pellicano's lawyers in a failed effort to help Pellicano avoid a 15-year prison sentence. Rossini pleaded guilty to illegally accessing FBI computers and resigned from the FBI.

Parents
Husband John Byrum (m. 1992-1993)
Sibling
Children

Net Worth and Salary

Linda Fiorentino's net worth is estimated to be between $2 million and $3 million, depending on the source. Her earnings primarily come from her successful acting career, with significant contributions from films like Men in Black and The Last Seduction.

In a 1994 appearance on Late Show with David Letterman, Fiorentino said she chose to stop acting for a period of time after Warner Bros. executive Mark Canton told her during the filming of Vision Quest, "you have a great ass, but I think your jeans need to be tighter." She said she returned to acting later to pay off mounting credit card debt.

Career, Business, and Investments

Fiorentino's career took off in the mid-1980s with her roles in Vision Quest and Gotcha. She gained critical acclaim for her performance as Bridget Gregory in The Last Seduction (1994), winning several awards, including the New York Film Critics Circle Award for Best Actress. She is also known for her roles in Jade (1995), Men in Black (1997), and Dogma (1999). Besides her acting career, there is no prominent information available about other business ventures or investments.

In 1976, Fiorentino graduated from Washington Township High School in Sewell, New Jersey, where she excelled in basketball, baseball and cheerleading. She began performing in plays at Rosemont College in suburban Philadelphia after falling in with a crowd of "rich Puerto Ricans and Cubans" and found herself in plays because "everyone in the theater there was really weird." She graduated in 1980 with a Bachelor of Arts degree in political science. After graduation, Fiorentino planned to continue her education at law school, but one of her professors convinced her to pursue a career in acting. She trained at the Circle in the Square Theater School in Manhattan while working as a bartender at the nightclub Kamikaze, where Bruce Willis also worked. Fiorentino has also been an active photographer since 1987 and studied at the International Center of Photography in New York City.

Due to her "cinematic combination of spunk and sexiness", "a considerable amount of heat" was generated in Fiorentino's early career. Subsequently, she was approached by both Tom Cruise and director Tony Scott for the role of Charlotte "Charlie" Blackwood (Cruise's character's love interest) in Top Gun. Despite getting along with Cruise and recognising the film's commercial potential, Fiorentino declined due to objecting to the film's "pro-military stance"; the role was then given to Kelly McGillis.

After her initial career successes, Fiorentino's acting career stagnated, although she continued to appear in erotic films such as Wildfire and Chain of Desire, where she often portrayed "dominating, manipulative characters". In the early-1990s, director Paul Verhoeven invited Fiorentino to have a supporting role in Basic Instinct (eventually played by Jeanne Tripplehorn). However, Fiorentino wanted the lead role of Catherine Tramell (later played by Sharon Stone), although she was rebuffed due to having "breasts that were too small".

However, in 2018, Smith stated that rumors of a falling out between the two had been misconstrued and overstated, and that while the two had not spoken in years, they amicably reconnected following his near-fatal heart attack. Blaming himself, Smith attributed the rumors to a remark he had made on the film's commentary track, which had later been sensationalized: "I remember on a commentary track on the DVD — Janeane Garofalo was in the movie and at one point I said it would have been better if she played the lead, which was a really shitty and stupid thing to say. Thoughtless, considering that Linda was the lead and Linda did a great job. So, it had been years since I had spoken with Linda and I got an email from her. And of course, I was thankful to hear from her and it also gave me a chance to say I'm so sorry that I ever said that thing years ago. It gives you a chance to make amends. So that was my favorite one. I heard from so many people, but that one really stood out for me because, if somebody had said, 'Oh, the movie would have been better if [co-star] Ben Affleck directed it,' that would have hurt my feelings. I know it hurt her feelings and really unnecessarily because I always loved her performance in the movie."After a co-starring role with Paul Newman in the 2000 heist film Where the Money Is, and a lead role in the 2002 film Liberty Stands Still, Fiorentino's career slowed to a halt. She was in talks to star in a series being prepared by Tom Fontana, but did not take the project. Fiorentino was attached to a Georgia O'Keeffe biographical drama called Till the End of Time, but the project stalled when Fiorentino had a falling out with German producer Karel Dirka regarding provocative sex scenes. "You have rights, as an artist and as a woman," she said. "It's not as if I didn't agree to do some nudity. But they crossed the line. It was a question of integrity."

Social Network

Linda Fiorentino does not appear to have a strong presence on social media platforms. This lack of online presence is common among many actors from her generation.

In 1985, she starred in the espionage comedy film Gotcha!, which was filmed in Los Angeles, Paris and Berlin. Her co-star, Anthony Edwards, later directed her in Charlie's Ghost Story. Giving the film two stars out of four, Roger Ebert of the Chicago Sun-Times described the European sequences as "a well-directed cat-and-mouse game" that lost its way in the final act after returning to the United States, with the film's main flaw being a focus on Edwards' character when Fiorentino was far more intriguing: "I'll bet the men who made this movie just assumed it had to be told from his point of view, and never considered hers. Too bad. I think they missed their best chance." Fiorentino spoke negatively of the film saying, "It's not my kind of film," and, "These kinds of movies are like drinking beer all the time."

Roger Ebert, in his four-star review of the film, wrote that Fiorentino "has a quality about her ... In VisionQuest (1985), a silly wrestling movie, there was nothing silly about her scenes. In Martin Scorsese's After Hours, she was the black widow waiting in the net that the hapless hero stumbled into. What's crucial is that she plays these roles with relish: She seems to enjoy the freedom a script like The Last Seduction gives her, and the result is a movie that is not only ingenious and entertaining, but liberating, because we can sense the story isn't going to be twisted into conformity with some stupid formula."

Co-star Michael Biehn was not fond of the film: "Well, on Jade, I had no idea what I was doing. I don't think anybody had any idea what they were doing. It was a Joe Eszterhas script. To me, none of it ever really made any sense. I didn't realize until the read-through that I was the bad guy in it. It was like a jumbled mess. And the movie came out a mess, too. It had great people on it, though. It had William Friedkin directing, it had Chazz Palmenteri, who was nominated that year for an Academy Award, it had Linda Fiorentino, who had just come out with that famous movie she did The Last Seduction, and it had David Caruso, who's a brilliant actor when given the right material, and a very smart guy. So a great cast, great director... everything but a script."

In years following, it was rumored Fiorentino did not get along with director Kevin Smith, which generated negative press for her. In an interview with TV Guide in 2000, Smith stated, "Linda created crisis and trauma and anguish. She created drama while we were making a comedy. She was ticked off that there were other people in the movie who were more famous than she was." He also accused Fiorentino of avoiding promotional duties after "going nuts" at the film's poster, which had spliced her head onto another woman's body and amplified her cleavage. "She never did a photo shoot," Smith said. "It's not like we were hinging on all that Fiorentino press – I fought to cast the woman in the movie."

Fiorentino's character was written out of Men in Black II (2002) to accommodate the return of Tommy Lee Jones as the co-lead of the film and partner to Will Smith's character. According to producer Laurie MacDonald, "It turned out not to be a big enough role. We would have loved to have her, but when we began to develop the story, we couldn't find a [major] place for her. We always knew that the movie would be about bringing Tommy Lee Jones back." Kristin Lopez, writing an expose for RogerEbert.com titled "Hollywood's Difficult Women", brought up rumors that Jones' return was in fact contingent upon Fiorentino's absence, and that the studio responded to this stipulation accordingly.

Fiorentino married film director and writer John Byrum, whom she had previously worked with on the unfinished movie The War at Home, on June 23, 1992. The couple divorced in 1993, after a year of marriage. In an interview with film critic Roger Ebert shortly after The Last Seduction came out, Fiorentino admitted that the men she met in real life expected her to be like her devious characters, and said that when it came to the parts that she was offered, "Maybe others see in me what I don't necessarily see in myself. And a lot of it in Hollywood has to do with what you look like. I'm dark and my eyes are dark and my voice is deep, and how the hell could I play a Meg Ryan role, the way I look?"

Education

Fiorentino attended Rosemont College. Details about her academic achievements or specific courses of study are not widely available.

In summary, Linda Fiorentino's net worth and career are highlighted by her early successes in film and her enduring presence in Hollywood, despite a less active recent career.

Fiorentino landed her first professional role after her first professional audition in 1985 when she was cast in Vision Quest as Carla, the romantic partner of the lead character, a high school wrestler played by Matthew Modine. Fiorentino beat out Rebecca de Mornay, Rosanna Arquette and Demi Moore for the role. The film was a moderate success in theaters but has gone on to become a cult classic. Film critic Roger Ebert said of the newcomer, "Without having met the actress, it's impossible for me to speculate on how much of Carla is original work and how much is Fiorentino's personality. What comes across, though, is a woman who is enigmatic without being egotistical, detached without being cold, self-reliant without being suspicious. She has a way of talking – kind of deliberately objective – that makes you listen to everything she says."

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