Bea Arthur

Bea Arthur Net Worth 2025: Earnings & Career

Bea Arthur was a renowned American actress and comedian celebrated for her iconic roles in television sitcoms like "Maude" and "The Golden Girls." Born on May 13, 1922, Arthur's career spanned multiple decades, earning her numerous awards and a lasting legacy in the entertainment industry. This article explores Bea Arthur's life, career, and net worth, highlighting her achievements and contributions to comedy and television.

Personal Profile About Bea Arthur

Age, Biography, and Wiki

Bea Arthur was born Bernice Frankel in New York City on May 13, 1922. She began her career in theater in 1947 and later transitioned to television, becoming a household name with her roles in "Maude" and "The Golden Girls" . Arthur passed away on April 25, 2009, leaving behind a legacy of comedy and entertainment excellence.

Occupation Women's Rights Activists
Date of Birth 13 May 1922
Age 103 Years
Birth Place New York City, U.S.
Horoscope Taurus
Country U.S
Date of death 25 April, 2009
Died Place Los Angeles, California

Height, Weight & Measurements

Height 5 feet 9 inches
Weight
Body Measurements
Eye Color
Hair Color

Dating & Relationship Status

Bea Arthur was married twice: first to Robert Alan Aurthur from 1947 to 1950, and then to Gene Saks from 1950 until their divorce in 1978. She did not remarry after her second divorce .

In 1933, the Frankel family relocated to Cambridge, Maryland, where her parents subsequently operated a women's clothing shop. At age 16, Beatrice developed a serious condition, coagulopathy, in which her blood would not clot. Concerned for her health, her parents sent her to Linden Hall, an all-girls' boarding school in Lititz, Pennsylvania, for her final two years of high school. Afterwards, she studied for a year at Blackstone College for Girls in Blackstone, Virginia.

In 1966, Arthur auditioned for the title role in the musical Mame, which her husband Gene Saks was set to direct, but Angela Lansbury (who would become a good friend of Arthur's) won the role instead. Arthur accepted the supporting role of Vera Charles, for which she won great acclaim, winning a Tony Award for Best Featured Actress in a Musical the same year. She reprised the role in the 1974 film version opposite Lucille Ball. In 1981, she appeared on stage in Woody Allen's The Floating Light Bulb.

Maude previewed in her second All in the Family appearance. Debuting in 1972, the series found her living in the affluent community of Tuckahoe, Westchester County, New York, with her fourth husband, Walter (Bill Macy), and divorced daughter, Carol (Adrienne Barbeau). Arthur's performance as Maude garnered her several Emmy and Golden Globe nominations for the series, with Arthur winning an Emmy in 1977 for Outstanding Lead Actress in a Comedy Series. Maude earned a place for Arthur in the history of the women's liberation movement.

Arthur returned to television in the short-lived 1983 sitcom Amanda's (an adaptation of the British series Fawlty Towers). Ten of the show's thirteen episodes were aired.In 1985, Arthur was cast in The Golden Girls, in which she played Dorothy Zbornak, a divorced mother and substitute teacher living in a Miami, Florida, house owned by widow Blanche Devereaux (Rue McClanahan, who had previously co-starred with Arthur in Maude). Her other roommates included widow Rose Nylund (Betty White) and Dorothy's Sicilian mother, Sophia Petrillo (Estelle Getty). The series was a massive hit and remained a top-ten rating fixture for six of its seven seasons. Arthur's performances led to several Emmy nominations over the course of the series and Arthur won an Emmy in 1988. Arthur left the show after the end of the seventh season and the series ended. In 1992, it was retooled as The Golden Palace with the other three actresses and aired on CBS as it was not picked up by NBC. The new series, however, lasted only one season.

Arthur reprised her stage role as Vera Charles in the 1974 film adaption of Mame, opposite Lucille Ball. She portrayed overbearing mother Bea Vecchio in Lovers and Other Strangers (1970), and had a cameo as a Roman unemployment clerk in Mel Brooks' History of the World, Part I (1981). She appeared in the 1995 American movie For Better or Worse as Beverly Makeshift. Her final film credit was in Enemies of Laughter in 2000, opposite Peter Falk.

After Arthur left The Golden Girls, she made guest appearances on television shows and organized and toured in her one-woman show, alternately titled An Evening with Bea Arthur as well as And Then There's Bea. She made a guest appearance on the American cartoon Futurama, in the Emmy-nominated 2001 episode "Amazon Women in the Mood", as the voice of the feminist "Femputer" who ruled a race of giant Amazonian women. She appeared in a first-season episode of Malcolm in the Middle as Mrs. White, one of Dewey's babysitters who was a strict disciplinarian. She was nominated for an Emmy for Outstanding Guest Actress in a Comedy Series for her performance. She appeared as Larry David's mother on Curb Your Enthusiasm.

Parents
Husband Robert Alan Aurthur (m. 1944-1950) Gene Saks (m. 1950-1978)
Sibling
Children

Net Worth and Salary

At the time of her death in 2009, Bea Arthur's net worth was estimated to be around $25 million according to some sources . However, other sources suggest a slightly lower figure of about $8 million . Her wealth was derived from her successful career in television and theater, as well as various other business ventures.

Career, Business, and Investments

Bea Arthur's career in entertainment spanned over six decades, with notable roles in theater and television. Some of her most famous roles include:

Beatrice Arthur (born Bernice Frankel; May 13, 1922 – April 25, 2009) was an American actress, comedienne and singer. She began her career on stage in 1947, attracting critical acclaim before achieving worldwide recognition for her work on television beginning in the 1970s as Maude Findlay in the popular sitcoms All in the Family (1971–1972) and Maude (1972–1978) and later in the 1980s and 1990s as Dorothy Zbornak on The Golden Girls (1985–1992).

Arthur won several accolades throughout her career, beginning with the 1966 Tony Award for Best Featured Actress in a Musical for playing Vera Charles in Mame. She won Emmy Awards for Outstanding Lead Actress in a Comedy Series in 1977 for Maude and 1988 for The Golden Girls. Arthur has received the third most nominations for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series with nine; after Julia Louis-Dreyfus (11) and Mary Tyler Moore (10). Arthur was inducted into the academy's Television Hall of Fame in 2008.

Arthur began her acting career as a member of an off-Broadway theater group at the Cherry Lane Theatre in New York City in the late 1940s. Onstage, her roles included Lucy Brown in the 1954 Off-Broadway premiere of Marc Blitzstein's English-language adaptation of Kurt Weill's The Threepenny Opera, Nadine Fesser in the 1957 premiere of Herman Wouk's Nature's Way at the Coronet Theatre, Yente the Matchmaker in the 1964 premiere of Fiddler on the Roof on Broadway.

In 1984, Arthur, who routinely declined commercial endorsements, accepted a lucrative offer from Canadian drugstore chain Shoppers Drug Mart to be their commercial spokeswoman, on the condition that the commercials would not air in the United States. Arthur spent seven years in the position, continuing as spokeswoman during her run on The Golden Girls by commuting to Toronto for commercial tapings.

In 2002, she returned to Broadway, starring in Bea Arthur on Broadway: Just Between Friends, a collection of stories and songs (with musician Billy Goldenberg) based on her life and career. The show was nominated for a Tony Award for Best Special Theatrical Event.

In 1972, she moved to Los Angeles and sublet her apartment on Central Park West in New York City and her country home in Bedford, New York. In a 2003 interview, while in London promoting her one-woman show, she described the English capital as her "favorite city in the world".

Social Network

Bea Arthur did not have a significant online presence in the modern sense, as social media platforms were not prevalent during her active career. However, she remains a beloved figure in the entertainment industry, celebrated for her contributions to comedy and television.

In 1999, Arthur told an interviewer of the three influences in her career: "Sid Caesar taught me the outrageous; [method acting guru] Lee Strasberg taught me what I call reality; and [original Threepenny Opera star] Lotte Lenya, whom I adored, taught me economy." Another source of influence to Arthur was that of famed actress/director Ida Lupino, whom Arthur praised: "My dream was to become a very small blonde movie star like Ida Lupino and those other women I saw up there on the screen during the Depression."

Arthur was a private and introverted woman according to her friends. She was a particularly close mentor and friend to Adrienne Barbeau, who co-starred with her on Maude for six seasons. Barbeau was unavailable to perform regularly on the sitcom during its last season due to her schedule; nevertheless, the two remained close and stayed in touch for the rest of Arthur's life. In a 2018 interview with the American website Dread Central, Barbeau shared some of her feelings about her friend:"I was doing an interview for this one-woman show that I am doing and the interviewer asked, 'What do people usually ask you,' and I said, 'They always want to know what it was like working with Bea. She was fantastic and, you know, I realized years later how much I took it for granted because it was my first experience on television. I just assumed that everyone was as giving as she was, as professional as she was, that everyone who was doing a TV show showed up knowing their lines and showed up on time and was willing to say to the writers, 'I think this line was funnier if Adie had said it or Conrad had said it or Bill had said it.' I mean, she was just the best, she was the best, very funny. She was not Maude when she wasn't saying those lines. I don't know if I'd say she was quiet. She was a homebody. She had her sons, her dog, and her cooking and she wasn't into the celebrity scene and she was a great lady. I loved her dearly, and we had a great cast and they were my family for six years. I loved each of them and all of them, and it was the best experience anyone could've had, being introduced to television like that."

Arthur's surviving co-stars from The Golden Girls, McClanahan and White, commented on her death via telephone on an April 27 episode of Larry King Live. On the Today Show by phone, McClanahan said she and Arthur got along together "like cream." White said "I knew it would hurt, I just didn't know it would hurt this much."

Longtime friends Adrienne Barbeau (with whom she had worked on Maude) and Angela Lansbury (with whom she had worked in Mame) reflected on her death. Barbeau said, "We've lost a unique, incredible talent. No one could deliver a line or hold a take like Bea and no one was more generous or giving to her fellow performers." Lansbury said, "She became and has remained my bosom buddy [...] I am deeply saddened by her passing, but also relieved that she is released from the pain."

Education

There is limited information available about Bea Arthur's educational background. However, she began her career in theater, which suggests that she may have honed her skills through practical experience and training in the performing arts.

During World War II, Frankel enlisted as one of the first members of the United States Marine Corps Women's Reserve in 1943. After boot camp, she served as a typist at Marine headquarters in Washington, D.C. In June 1943, the Marine Corps accepted her transfer request to the Motor Transport School at Camp Lejeune, North Carolina. Frankel then worked as a truck driver and dispatcher in Cherry Point, North Carolina, between 1944 and 1945. She was honorably discharged at the rank of staff sergeant in September 1945.

After serving in the Marines, Frankel studied for a year at the Franklin School of Science and Arts in Philadelphia, where she became a licensed medical technician. After interning at a local hospital for the summer, she decided against working as a lab technician, departing for New York City in 1947 to enroll in the School of Drama at The New School.

Conclusion

Bea Arthur's legacy in comedy and television remains unparalleled. Her iconic roles and numerous awards have cemented her place as one of the most loved and respected figures in the entertainment industry. Despite her passing, her work continues to inspire new generations of actors and comedians.

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