Age, Biography, and Wiki
Freddie Mercury was born Farrokh Bulsara on September 5, 1946, in Zanzibar to Parsi parents from India. He is best known for his work as the lead singer, songwriter, and co-founder of the rock band Queen. Mercury's life was a testament to his talent, courage, and creativity, making him one of the most beloved figures in music history. He passed away on November 24, 1991, due to complications from AIDS. For more information, visit his Wikipedia page.
| Occupation | Rock Singer |
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| Date of Birth | 5 September 1946 |
| Age | 78 Years |
| Birth Place | Stone Town, Sultanate of Zanzibar |
| Horoscope | Virgo |
| Country | England |
| Date of death | 24 November, 1991 |
| Died Place | Kensington, London, England |
Height, Weight & Measurements
Freddie Mercury's height was approximately 5 feet 9 inches (175 cm), and his weight varied throughout his life due to his active performing schedule and health issues. Specific weight measurements are not widely documented.
| Height | 5 feet 9 inches |
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Dating & Relationship Status
Freddie Mercury is perhaps best known for his long-term relationship with Mary Austin, whom he bequeathed the majority of his estate to, including his London mansion. He later formed a close relationship with Jim Hutton, who was his partner until his death.
Born in 1946 in Zanzibar to Parsi-Indian parents, Mercury attended British boarding schools in India from the age of eight and returned to Zanzibar after secondary school. In 1964, his family fled the Zanzibar Revolution, moving to Middlesex, England. Having previously studied and written music, he formed Queen in 1970 with guitarist Brian May and drummer Roger Taylor. Mercury wrote numerous hits for Queen, including "Killer Queen", "Bohemian Rhapsody", "Somebody to Love", "We Are the Champions", "Don't Stop Me Now" and "Crazy Little Thing Called Love". His charismatic stage performances often saw him interact with the audience, as displayed at the 1985 Live Aid concert. He also led a solo career and was a producer and guest musician for other artists.
His parents, Bomi and Jer Bulsara, were from the Parsi community of western India. The Bulsaras had origins in the city of Bulsar (now Valsad) in Gujarat. He had a younger sister, Kashmira (b. 1952).
Mercury spent most of his childhood in India where he began taking piano lessons at the age of seven while living with relatives. In 1954, at the age of eight, Mercury was sent to study at St. Peter's School, a British-style boarding school for boys, in Panchgani near Bombay. Inheriting his father's interest in philately, between 9 and 12 years old Mercury collected stamps, many of which were from the British Commonwealth. One of the rare personal possessions of Mercury in museum ownership, his stamp album is displayed in the collection of the Postal Museum in London. At the age of 12, he formed a school band, the Hectics, and covered rock and roll artists such as Cliff Richard, Elvis Presley and Little Richard. One of Mercury's former bandmates from the Hectics has said "the only music he listened to, and played, was Western pop music". A friend recalls that he had "an uncanny ability to listen to the radio and replay what he heard on piano". It was also at St. Peter's where he began to call himself "Freddie". In February 1963, he moved back to Zanzibar where he joined his parents at their flat.
In the early 1970s, Mercury had a long-term relationship with Mary Austin, whom he met through guitarist Brian May. Austin, born in Fulham, London, met Mercury in 1969 when she was 19 and he was 23 years old, a year before Queen had formed. He lived with Austin for several years in West Kensington, London. By the mid-1970s, he had begun an affair with David Minns, an American record executive at Elektra Records. In December 1976, Mercury told Austin of his sexuality, which ended their romantic relationship. Mercury moved out of the flat they shared, and bought Austin a place of her own near his new address of 12 Stafford Terrace, Kensington.
Mercury and Austin remained friends through the years; Mercury often referred to her as his only true friend. In a 1985 interview, he said of Austin: "All my lovers asked me why they couldn't replace Mary, but it's simply impossible. The only friend I've got is Mary, and I don't want anybody else. To me, she was my common-law wife. To me, it was a marriage. We believe in each other, that's enough for me." Mercury's final home, Garden Lodge, an 8-bedroom Georgian mansion in Kensington set in a quarter-acre manicured garden surrounded by a high brick wall, was picked out by Austin. Austin married the painting artist Piers Cameron; they have two children. Mercury was the godfather of her older son, Richard. In his will, Mercury left his London home to Austin, having told her, "You would have been my wife, and it would have been yours anyway."
From 1979 to 1985, while living in Munich, Mercury was friends with Austrian actress Barbara Valentin, who is featured in the video for "It's a Hard Life", and initially lived together with her and her daughter before moving into his own apartment. In Munich, Mercury was able to escape the media spotlight, lived out his sexuality, drifted in the local gay scene, and had an intense love relationship with German restaurateur Winfried "Winnie" Kirchberger. Mercury also lived temporarily at Kirchberger's apartment and thanked him "for board and lodging" in the liner notes of his 1985 album Mr. Bad Guy. He wore a silver wedding band given to him by Kirchberger. A close friend described him as Mercury's "great love" in Germany.
By 1985, he began another long-term relationship, with Irish-born hairdresser Jim Hutton (1949–2010) whom he referred to as his husband. Mercury described their relationship as one built on solace and understanding, and said that he "honestly couldn't ask for better". Hutton, who tested HIV-positive in 1990, lived with Mercury for the last seven years of his life, nursed him during his illness, and was present at his bedside when he died. Mercury wore a gold wedding band, given to him by Hutton in 1986, until the end of his life. He was cremated with it on. Hutton later relocated from London to the bungalow he and Mercury had built for themselves in Ireland.
According to the 2025 biography Love, Freddie by Lesley-Ann Jones, Mercury fathered a daughter in 1976 following an affair with the wife of a friend, and shared parental responsibilities with the child's mother and her husband. Mercury's alleged daughter approached Jones with journal entries claimed to be written for her by Mercury, detailing his personal history. The claims were first reported in May 2025, ahead of the biography's release. His alleged daughter was referred to in the publication simply as "B". News outlets reported that very few people knew of her existence, though Austin and the other members of Queen were supposedly aware.
During the 1970s, Everett became advisor and mentor to Mercury and Mercury served as Everett's confidant. Throughout the early-to-mid-1980s, they continued to explore their homosexuality and use drugs. Although they were never lovers, they did experience London nightlife together. By 1985, they had fallen out, and their friendship was further strained when Everett was outed in the autobiography of his ex-wife Lee Everett Alkin. In 1989, with their health failing, Mercury and Everett were reconciled.
On the evening of 24 November 1991, about 24 hours after issuing the statement, Mercury died at the age of 45 at his home in Kensington. The cause of death was bronchial pneumonia resulting from AIDS. His close friend Dave Clark of the Dave Clark Five was at the bedside vigil when Mercury died. Austin phoned Mercury's parents and sister to break the news, which reached newspaper and television crews in the early hours of 25 November.
Mercury spent and donated to charity much of his wealth during his lifetime, with his estate valued around £8 million at the time of his death. He bequeathed his home, Garden Lodge, and the adjoining Mews, as well as 50% of all privately owned shares, to Mary Austin. His sister, Kashmira Cooke, received 25%, as did his parents, Bomi and Jer Bulsara, which Cooke acquired upon their deaths. He willed £500,000 to Joe Fannelli; £500,000 to Jim Hutton; £500,000 to Peter Freestone; and £100,000 to Terry Giddings. Mercury, who never drove a car because he had no licence, was often chauffeured around London in his Rolls-Royce Silver Shadow from 1979 until his death. The car was passed to his sister Kashmira who made it available for display at public events, including the West End premiere of the musical We Will Rock You in 2002, before it was auctioned off at the NEC in Birmingham in 2013 for £74,600.
Featuring tracks such as "Too Much Love Will Kill You" and "Heaven for Everyone", the album also contains the song "Mother Love", the last vocal recording Mercury made before his death, which he completed using a drum machine, over which May, Taylor, and Deacon later added the instrumental track. After completing the penultimate verse, Mercury had told the band he "wasn't feeling that great" and stated, "I will finish it when I come back next time". He never made it back into the studio, so May later recorded the final verse of the song.
A statue in Montreux, Switzerland, by sculptor Irena Sedlecká, was erected as a tribute to Mercury. It stands almost 10 ft high overlooking Lake Geneva and was unveiled on 25 November 1996 by Mercury's father and Montserrat Caballé, with bandmates Brian May and Roger Taylor also in attendance. Beginning in 2003 fans from around the world have gathered in Switzerland annually to pay tribute to the singer as part of the "Freddie Mercury Montreux Memorial Day" on the first weekend of September.
In 1997 the three remaining members of Queen released "No-One but You (Only the Good Die Young)", a song dedicated to Mercury and all those that die too soon. In 1999 a Royal Mail stamp with an image of Mercury on stage was issued in his honour as part of the UK postal service's Millennium Stamp series. In 2009 a star commemorating Mercury was unveiled in Feltham, west London where his family moved upon arriving in England in 1964. The star in memory of Mercury's achievements was unveiled on Feltham High Street by his mother Jer Bulsara and Queen bandmate May.
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Net Worth and Salary
At the time of his death in 1991, Freddie Mercury's net worth was estimated at approximately $50 million. Adjusted for inflation, this amount would be equivalent to around $100 million in today's money. His estate continues to grow, with some estimates suggesting his net worth could be as high as $80 million in 2025, largely due to the ongoing success of Queen's music and the biographical film "Bohemian Rhapsody".
Following his death, the outer walls of Garden Lodge in Logan Place became a shrine to Mercury where mourners paid tributes by covering the walls in graffiti messages. Three years later Time Out magazine reported that "the wall outside the house has become London's biggest rock 'n' roll shrine". Fans continued to visit to pay their respects with letters appearing on the walls until 2017, when Austin had the wall cleared. Hutton was involved in a 2000 biography of Mercury, Freddie Mercury, the Untold Story, and also gave an interview for The Times in September 2006 for what would have been Mercury's 60th birthday.
Career, Business, and Investments
Freddie Mercury's career with Queen was marked by numerous iconic songs and albums, including "Bohemian Rhapsody," "We Are the Champions," and "A Night at the Opera." He was not only a gifted singer but also a talented songwriter and musician. Outside of Queen, Mercury pursued a solo career and collaborated with other artists. His business ventures included real estate investments and an art collection.
The family had moved to Zanzibar so that Bomi could continue his job as a cashier at the British Colonial Office. As Parsis, the Bulsaras practised Zoroastrianism.
In the spring of 1964, Mercury and his family fled to England from Zanzibar to escape the violence of the revolution against the Sultan of Zanzibar and his mainly Arab government, in which thousands of ethnic Arabs and Indians were killed. They moved to 19 Hamilton Close, Feltham, Middlesex, a town 13 mi west of central London. The Bulsaras briefly relocated to 122 Hamilton Road, before settling into a small house at 22 Gladstone Avenue in late October. After first studying art at Isleworth Polytechnic in West London, Mercury studied graphic art and design at Ealing Art College, graduating with a diploma in 1969. He later used these skills to design heraldic arms for his band Queen.
Following graduation, Mercury joined a series of bands and sold second-hand Edwardian clothes and scarves in Kensington Market in London with Roger Taylor. Taylor recalls, "Back then, I didn't really know him as a singer—he was just my mate. My crazy mate! If there was fun to be had, Freddie and I were usually involved." He also held a job as a baggage handler at Heathrow Airport. Other friends from the time remember him as a quiet and shy young man with a great interest in music. In 1969, he joined Liverpool-based band Ibex, later renamed Wreckage, which played "very Hendrix-style, heavy blues". He briefly lived in a flat above the Dovedale Towers, a pub on Penny Lane in Liverpool's Mossley Hill district. When this band failed to take off, he joined an Oxford-based band, Sour Milk Sea, but by early 1970 this group had broken up as well.
Throughout his career, Mercury performed an estimated 700 concerts in countries around the world with Queen. A notable aspect of Queen concerts was the large scale involved. He once explained, "We're the Cecil B. DeMille of rock and roll, always wanting to do things bigger and better." The band was the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981. In 1986, Queen also played behind the Iron Curtain when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe. Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 200,000. A week prior to Knebworth, May recalled Mercury saying "I'm not going to be doing this forever. This is probably the last time." With the British national anthem "God Save the Queen" playing at the end of the concert, Mercury's final act on stage saw him draped in a robe, holding a golden crown aloft, bidding farewell to the crowd.
As well as his work with Queen, Mercury put out two solo albums and several singles. Although his solo work was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles debuted in the top 10 of the UK Music Charts. His first solo effort goes back to 1972 under the pseudonym Larry Lurex, when Trident Studios' house engineer Robin Geoffrey Cable was working in a musical project, at the time when Queen were recording their debut album; Cable enlisted Mercury to perform lead vocals on the songs "I Can Hear Music" and "Goin' Back", both were released together as a single in 1973. Eleven years later, Mercury contributed to the soundtrack for the restoration of the 1927 Fritz Lang film Metropolis. The song "Love Kills" was written for the film by Giorgio Moroder in collaboration with Mercury, and produced by Moroder and Mack; in 1984 it debuted at the number 10 position in the UK Singles Chart.
Mercury's two full albums outside the band were Mr. Bad Guy (1985) and Barcelona (1988). His first album, Mr. Bad Guy, debuted in the top ten of the UK Album Charts. In 1993, a remix of "Living on My Own", a single from the album, posthumously reached number one on the UK Singles Charts. The song also garnered Mercury a posthumous Ivor Novello Award from the British Academy of Songwriters, Composers and Authors. AllMusic critic Eduardo Rivadavia describes Mr. Bad Guy as "outstanding from start to finish" and expressed his view that Mercury "did a commendable job of stretching into uncharted territory".
In addition to the two solo albums, Mercury released several singles, including his own version of the hit "The Great Pretender" by the Platters, which debuted at No. 5 in the UK in 1987. In September 2006 a compilation album featuring Mercury's solo work was released in the UK in honour of what would have been his 60th birthday. The album debuted in the UK top 10. In 2012, Freddie Mercury: The Great Pretender, a documentary film directed by Rhys Thomas on Mercury's attempts to forge a solo career, premiered on BBC One.
Radio disc jockey Kenny Everett met Mercury in 1974, when he invited the singer onto his Capital London breakfast show. As two of Britain's most flamboyant, outrageous and popular entertainers, they shared much in common and became close friends. In 1975, Mercury visited Everett, bringing with him an advance copy of the single "Bohemian Rhapsody". Despite doubting that any station would play the six-minute track, Everett placed the song on the turntable, and, after hearing it, exclaimed: "Forget it, it's going to be number one for centuries". Although Capital Radio had not officially accepted the song, Everett talked incessantly about a record he possessed but could not play. He then frequently proceeded to play the track with the excuse: "Oops, my finger must've slipped." On one occasion, Everett aired the song fourteen times over a single weekend. Capital's switchboard was overwhelmed with callers inquiring when the song would be released.
The extent to which Mercury's death may have enhanced Queen's popularity is not clear. In the United States, where Queen's popularity had lagged in the 1980s, sales of Queen albums went up dramatically in 1992, the year following his death. In 1992, one American critic noted, "What cynics call the 'dead star' factor had come into play—Queen is in the middle of a major resurgence." The movie Wayne's World, which featured "Bohemian Rhapsody", also came out in 1992. According to the Recording Industry Association of America, Queen had sold 34.5 million albums in the United States by 2004, about half of which had been sold since Mercury's death in 1991.
Mercury has featured in international advertising to represent the UK. In 2001, a parody of Mercury, along with prints of other British music icons consisting of the Beatles, Elton John, Spice Girls, and the Rolling Stones, appeared in the Eurostar national advertising campaign in France for the Paris to London route. In September 2017 the airline Norwegian painted the tail fin of two of its aircraft with a portrait of Mercury to mark what would have been his 71st birthday. Mercury is one of the company's six "British tail fin heroes", alongside England's 1966 FIFA World Cup winning captain Bobby Moore, children's author Roald Dahl, novelist Jane Austen, pioneering pilot Amy Johnson, and aviation entrepreneur Sir Freddie Laker.
Social Network
Although Freddie Mercury passed away before the widespread use of social media, his legacy continues to inspire fans worldwide. Queen's official social media accounts keep his memory alive by sharing updates, photos, and archival content.
The most notable aspect of his songwriting involved the wide range of genres that he used, which included, among other styles, rockabilly, progressive rock, heavy metal, gospel, and disco. As he explained in a 1986 interview, "I hate doing the same thing again and again and again. I like to see what's happening now in music, film and theatre and incorporate all of those things." Compared to many popular songwriters, Mercury also tended to write musically complex material. For example, "Bohemian Rhapsody" is non-cyclical in structure and comprises dozens of chords. He also wrote six songs from Queen II which deal with multiple key changes and complex material. "Crazy Little Thing Called Love", on the other hand, contains only a few chords. Although Mercury often wrote very intricate harmonies, he said that he could barely read music. He composed most of his songs on the piano and used a wide variety of key signatures.
As a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were the Who, the Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his skills on both instruments. Brian May said that Mercury "had a wonderful touch on the piano. He could play what came from inside him like nobody else – incredible rhythm, incredible passion and feeling." Keyboardist Rick Wakeman praised Mercury's playing style, saying he "discovered [the piano] for himself" and successfully composed a number of Queen songs on the instrument. From the early 1980s Mercury began extensively using guest keyboardists. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John, and Supertramp) for his first solo project. From 1982 Mercury collaborated with Morgan Fisher (who performed with Queen in concert during the Hot Space leg), and from 1985 onward Mercury collaborated with Mike Moran (in the studio) and Spike Edney (in concert).
Mercury played the piano in many of Queen's most popular songs, including "Killer Queen", "Bohemian Rhapsody", "Good Old-Fashioned Lover Boy", "We Are the Champions", "Somebody to Love", and "Don't Stop Me Now". He used concert grand pianos (such as a Bechstein) and, occasionally, other keyboard instruments such as the harpsichord. From 1980 onward, he also made frequent use of synthesisers in the studio. Brian May said that Mercury used the piano less over time because he wanted to walk around on stage and entertain the audience. Although he wrote many lines for the guitar, Mercury possessed only rudimentary skills on the instrument. Songs like "Ogre Battle" and "Crazy Little Thing Called Love" were composed on the guitar; the latter featured Mercury playing rhythm guitar on stage and in the studio.
In 1986, Mercury recorded two songs for Dave Clark's West End sci-fi musical Time. Mercury performed the title song and Clark played it to Laurence Olivier who starred as the hologram Akash in a pre-filmed segment for the musical in what was one of his last roles, with Clark recalling: "Laurence Olivier was a huge god of an actor. He narrated the album [Time], and, when Freddie came on, singing "Time", Olivier said, 'Now, my dear boy, there's an actor.'" Clark relayed the reaction of Olivier to Mercury: "I told Freddie and he was over the moon. I arranged for a dinner party at my place, Olivier came along and they got on like a house on fire."
Between 1981 and 1983 Mercury recorded several tracks with Michael Jackson, including a demo of "State of Shock", "Victory", and "There Must Be More to Life Than This". None of these collaborations were officially released at the time, although bootleg recordings exist. Jackson went on to record the single "State of Shock" with Mick Jagger for the Jacksons' album Victory. Mercury included the solo version of "There Must Be More to Life Than This" on his Mr. Bad Guy album. "There Must Be More to Life Than This" was eventually reworked by Queen and released on their compilation album Queen Forever in 2014. Mercury and Roger Taylor sang on the title track for Billy Squier's 1982 studio release, Emotions in Motion and later contributed to two tracks on Squier's 1986 release, Enough Is Enough, providing vocals on "Love is the Hero" and musical arrangements on "Lady With a Tenor Sax". In 2020, Mercury's music video for "Love Me Like There's No Tomorrow" was nominated for Best Animation at the Berlin Music Video Awards. Woodlock studio is behind the animation.
While some commentators said Mercury hid his sexual orientation from the public, others said he was "openly gay". In December 1974, when asked directly, "So how about being bent?" by the New Musical Express, Mercury replied, "You're a crafty cow. Let's put it this way: there were times when I was young and green. It's a thing schoolboys go through. I've had my share of schoolboy pranks. I'm not going to elaborate further." Homosexual acts between adult males over the age of 21 had been decriminalised in the United Kingdom in 1967, seven years earlier. During public events in the 1980s, Mercury often kept a distance from his partner, Jim Hutton.
Mercury never discussed his ethnic or religious background with journalists. The closest he came to doing so was in response to a question about his outlandish persona, he said, "that's something inbred, it's a part of me. I will always walk around like a Persian popinjay", an oblique reference to his Indian Parsi background. Feeling a connection to Britain prior to arriving in England, the young Bulsara was heavily influenced by British fashion and music trends while growing up. According to his longtime assistant Peter Freestone, "if Freddie had his way, he would have been born aged 18 in Feltham." Harris states, "One of the things about Freddie was that he was very civilised and quite 'English'. I'd go over to his flat near Shepherd's Bush in the afternoon, and he'd get out the fine china and the sugar lumps and we'd have a cup of tea." His flamboyant dress sense and the emergence of glam rock in the UK in the early 1970s saw Mercury wear outfits designed by Zandra Rhodes.
When asked by Melody Maker in 1981 if rock stars should use their power to try to shape the world for the better, Mercury responded, "Leave that to the politicians. Certain people can do that kind of thing, but very few. John Lennon was one. Because of his status, he could do that kind of preaching and affect people's thoughts. But to do this you have to have a certain amount of intellect and magic together, and the John Lennons are few and far between. People with mere talent, like me, have not got the ability or power." Mercury dedicated a song to the former member of the Beatles. The song, "Life Is Real (Song for Lennon)", is included in the 1982 album Hot Space. Mercury did occasionally express his concerns about the state of the world in his lyrics. His most notable "message" songs are "Under Pressure", "Is This the World We Created...?" (a song which Mercury and May performed at Live Aid, and also featured in Greenpeace – The Album), "There Must Be More to Life Than This", "The Miracle" (a song May called "one of Freddie's most beautiful creations") and "Innuendo".
As the first major rock star to die of AIDS-related complications, Mercury's death represented an important event in the history of the disease. In April 1992, the remaining members of Queen founded The Mercury Phoenix Trust and organised The Freddie Mercury Tribute Concert for AIDS Awareness, to celebrate the life and legacy of Mercury and raise money for AIDS research, which took place on 20 April 1992. The Mercury Phoenix Trust has since raised millions of pounds for various AIDS charities. The tribute concert, which took place at London's Wembley Stadium for an audience of 72,000, featured a wide variety of guests including Robert Plant (of Led Zeppelin), Roger Daltrey (of the Who), Extreme, Elton John, Metallica, David Bowie, Annie Lennox, Tony Iommi (of Black Sabbath), Guns N' Roses, Elizabeth Taylor, George Michael, Def Leppard, Seal and Liza Minnelli, with U2 also appearing via satellite. Elizabeth Taylor spoke of Mercury as "an extraordinary rock star who rushed across our cultural landscape like a comet shooting across the sky". The concert was broadcast live to 76 countries and had an estimated viewing audience of 1 billion people. The Freddie for a Day fundraiser on behalf of the Mercury Phoenix Trust takes place every year in London, with supporters of the charity including Monty Python comedian Eric Idle, and Mel B of the Spice Girls.
Mercury appeared as a supporting character in the BBC television drama Best Possible Taste: The Kenny Everett Story, first broadcast in October 2012. He was portrayed by actor James Floyd. He was played by actor John Blunt in The Freddie Mercury Story: Who Wants to Live Forever, first broadcast in the UK on Channel 5 in November 2016. Although the programme was criticised for focusing on Mercury's love life and sexuality, Blunt's performance and likeness to the singer did receive praise.
Education
Freddie Mercury attended St. Peter's Boys School in Zanzibar and later moved to England to attend Isleworth Polytechnic (now West Thames College) and Ealing Art College, where he met his future Queen bandmates.
A research team undertook a study in 2016 to understand the appeal behind Mercury's voice. Led by Professor Christian Herbst, the team identified his notably faster vibrato and use of subharmonics as unique characteristics of Mercury's voice, particularly in comparison to opera singers. The research team studied vocal samples from 23 commercially available Queen recordings, his solo work, and a series of interviews of the late artist. They also used an endoscopic video camera to study a rock singer brought in to imitate Mercury's singing voice.
Mercury was noted for his live performances, which were often delivered to stadium audiences around the world. He displayed a highly theatrical style that often evoked a great deal of participation from the crowd. A writer for The Spectator described him as "a performer out to tease, shock and ultimately charm his audience with various extravagant versions of himself." David Bowie, who performed at the Freddie Mercury Tribute Concert and recorded the song "Under Pressure" with Queen, praised Mercury's performance style, saying: "Of all the more theatrical rock performers, Freddie took it further than the rest ... he took it over the edge. And of course, I always admired a man who wears tights. I only saw him in concert once and as they say, he was definitely a man who could hold an audience in the palm of his hand." Queen guitarist Brian May wrote that Mercury could make "the last person at the back of the furthest stand in a stadium feel that he was connected". Mercury's main prop on stage was a broken microphone stand; after accidentally snapping it off the heavy base during an early performance, he realised it could be used in endless ways.
