Age, Biography, and Wiki
George R. R. Martin was born on September 20, 1948, in Bayonne, New Jersey. He is the son of Raymond Collins Martin, a longshoreman, and Margaret Brady Martin. Growing up in a federal housing project, Martin developed a keen interest in writing at an early age. He attended Mary Jane Donohoe School and later Marist High School before moving on to Northwestern University in Illinois, where he earned a Bachelor's degree in Journalism in 1970 and a Master's degree in 1971.
| Occupation | Screenwriter |
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| Date of Birth | 20 September 1948 |
| Age | 76 Years |
| Birth Place | Bayonne, New Jersey, U.S. |
| Horoscope | Virgo |
| Country | Jersey |
Height, Weight & Measurements
While specific details about George R. R. Martin's height and weight are not widely available, he is known for his distinctive appearance, often sporting a beard and glasses.
* The Science Fiction Weight Loss Book (1983) edited with Isaac Asimov and Martin H. Greenberg ("Stories by the Great Science Fiction Writers on Fat, Thin, and Everything in Between")
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Dating & Relationship Status
George R. R. Martin is married to Parris McBride. They tied the knot in 2011, and Parris is actively involved in Martin's philanthropic efforts, including supporting the Wild Spirit Wolf Sanctuary and the Rio Grande Nature Center.
His mother's family had once been wealthy, owning a successful construction business, but lost it all in the Great Depression, something Martin was reminded about every day when he passed what used to be his family's dock and house. He has two younger sisters, Darleen and Jane. He is predominantly of Irish descent; a DNA test on the series Finding Your Roots showed him to be 53.6% "British and Irish", 22.4% Ashkenazi Jewish, and 15.6% "Broadly Northwestern European".
Martin began writing and selling monster stories for pennies to other neighborhood children, dramatic readings included. He had to stop once a customer's mother complained about her child's nightmares. He also wrote stories about a mythical kingdom populated by his pet turtles — the turtles died frequently in their toy castle, so he decided they were killing each other off in "sinister plots". Martin had a habit of starting "endless stories" that he never completed, as they did not turn out as well on paper as he had imagined them.
In the early 1970s, Martin was in a relationship with fellow science fiction/fantasy author Lisa Tuttle, with whom he co-wrote Windhaven. While attending an East Coast science fiction convention he met his first wife, Gale Burnick; they were married in 1975 and moved from their Chicago apartment and into a house in Dubuque in 1976. Both of them grew tired of the hard winters there, and when she graduated from Clarke University in June 1979, he resigned from his job and they decided to move to New Mexico. The year before they had "fallen in love" with Santa Fe on their way to the 36th World Science Fiction Convention which was being held in Phoenix. His wife went down and bought a house while Martin stayed behind to sell their home and finish the semester. The marriage ended in divorce in 1979, before they could be reunited in Santa Fe. Instead he settled there alone from December that same year until September 1981, when what would be his longtime partner Parris McBride moved in with him. On February 15, 2011, Martin married McBride during a small ceremony at their Santa Fe home. On August 19, 2011, they held a larger wedding ceremony and reception at Renovation, the 69th World Science Fiction Convention. They have no children.
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Net Worth and Salary
As of 2025, George R. R. Martin's net worth is estimated at approximately $120 million, primarily due to his successful writing career and television productions, including Game of Thrones and other projects like Elden Ring and Nightflyers . His annual income from book sales and television royalties is around $25 million.
The short stories he was able to sell in his early 20s gave him some profit but not enough to pay his bills, which prevented him from becoming the full-time writer he wanted to be. The need for a day job occurred simultaneously with the American chess craze which followed Bobby Fischer's victory in the 1972 world chess championship. Martin's own chess skills and experience allowed him to be hired as a tournament director for the Continental Chess Association, which ran chess tournaments on the weekends. This gave him a sufficient income, and because the tournaments only ran on Saturdays and Sundays, it allowed him to work as a writer five days a week from 1973 to 1976. By the time the chess craze subsided and no longer provided an income, he had become much better established as a writer.
Early Career
Martin's writing career began with short stories and science fiction novels. His breakthrough came with the publication of A Song of Ice and Fire, which has sold over 90 million copies worldwide. The series was adapted into Game of Thrones, significantly boosting Martin's income and fame.
In turn, Guthridge helped Martin in finding a job at Clarke University (then Clarke College). Martin "wasn't making enough money to stay alive" from writing and the chess tournaments, said Guthridge. From 1976 to 1978, Martin was an English and journalism instructor at Clarke, and he became Writer In Residence at the college from 1978 to 1979.
While he enjoyed teaching, the sudden death of friend and fellow author Tom Reamy in late 1977 made Martin reevaluate his own life, and he eventually decided to try to become a full-time writer. In 1979 he resigned from his job and moved from Dubuque to Santa Fe, New Mexico at the end of the year. There he would live alone for almost three years, a period he described as tremendously productive in regard to writing.
In 2017, Martin recalled that he had started writing science fiction-horror hybrids in the late 1970s to disprove a statement from a critic claiming that science fiction and horror were opposites and therefore incompatible. Martin considered Sandkings (1979) the best known of these. Another was the novella Nightflyers (1980), whose screen and television rights were purchased by Vista in 1984, which produced a 1987 film adaptation, Nightflyers, with a screenplay co-written by Martin. Martin was unhappy about having to cut plot elements in order to accommodate the film's small budget. While not a hit at theatres, Martin believes that the film saved his career, and that everything he has written since exists in large part because of it. He has also written at least one piece of political-military fiction, "Night of the Vampyres", collected in Harry Turtledove's anthology The Best Military Science Fiction of the 20th Century (2001).
In 1982, Martin published a vampire novel titled Fevre Dream set in the 19th century on the Mississippi River, in the heyday of the great paddle steamers. Unlike traditional vampire novels, in Fevre Dream vampires are not supernatural creatures, but are rather a different species related to humans created by evolution with superhuman powers. Critic Don D'Amassa has praised Fevre Dream for its strong 19th-century atmosphere and wrote: "This is without question one of the greatest vampire novels of all time". Martin followed up Fevre Dream with another horror novel, The Armageddon Rag (1983). The unexpected commercial failure of The Armageddon Rag "essentially destroyed my career as a novelist at the time", he recalled, and made him consider going into real estate instead.
Martin is opposed to fan fiction, which he views as copyright infringement and a bad exercise for aspiring writers in terms of developing skills in worldbuilding and character development.
He and McBride are supporters of the Wild Spirit Wolf Sanctuary in New Mexico. In early 2013, he purchased Santa Fe's Jean Cocteau Cinema and Coffee House, which had been closed since 2006. He had the property completely restored, including both its original 35mm capability to which was added digital projection and sound; the Cocteau officially reopened for business on August 9, 2013. In 2019, he opened a bookstore named Beastly Books, after Beauty and the Beast, next to Jean Cocteau. Martin has also supported Meow Wolf, an arts collective in Santa Fe, having pledged $2.7 million toward a new art space in January 2015.
In 2017, Martin announced that he was funding The Miskatonic Scholarship. The Miskatonic Scholarship allows a writer of Lovecraftian cosmic horror to attend the Odyssey Writing Workshop, a six-week writing workshop held at Saint Anselm College in Manchester, New Hampshire.
Immediately following Bernie Sanders' defeat in the U.S. Democratic primary elections, he supported Democratic nominee Hillary Clinton in the general 2016 United States presidential election, and criticized Donald Trump during the election and following her defeat, commenting that Trump would "become the worst president in American history". In response to fans of Martin who compared Trump favorably to characters from A Song of Ice and Fire, Martin doubled-down on his criticism of Trump by making the case to his fans that Trump shares many personality traits in common with King Joffrey, a near-universally hated character from the series, concluding that "Trump is a Grown-Up Joffrey."
Social Network
George R. R. Martin is active on social media platforms, where he engages with fans and shares updates about his projects. He uses platforms like Twitter and Facebook to connect with his audience and provide insights into his work.
Martin attended Mary Jane Donohoe School and later Marist High School. While there, he became an avid comic-book fan, developing a strong interest in the superheroes being published by Marvel Comics, and later credited Stan Lee for being one of his greatest literary influences; "Maybe Stan Lee is the greatest literary influence on me, even more than Shakespeare or Tolkien." A letter Martin wrote to the editor of Fantastic Four was printed in issue #20 (November 1963); it was the first of many sent, e.g., Fantastic Four #32, #34, and others. Fans who read his letters wrote him letters in turn, and through such contacts, Martin joined the fledgling comics fandom of the era, writing fiction for various fanzines; he bought the first ticket to the world's first Comic-Con, held in New York in 1964. In 1965, Martin won comic fandom's Alley Award for Best Fan Fiction for his prose superhero story "Powerman vs. The Blue Barrier".
Martin began selling science fiction short stories professionally in 1970, at age 21. His first sale was "The Hero", sold to Galaxy magazine and published in its February 1971 issue; other sales soon followed. His first story to be nominated for the Hugo Award and Nebula Awards was "With Morning Comes Mistfall", published in 1973 in Analog magazine. In 1975 his story "...for a single yesterday" about a post-apocalyptic timetripper was selected for inclusion in Epoch, a science fiction anthology edited by Roger Elwood and Robert Silverberg. His first novel, Dying of the Light, was completed in 1976 right before he moved to Dubuque and published in 1977. That same year the enormous success of Star Wars had a huge impact on the publishing industry and science fiction, and he sold the novel for the same amount he would make in three years of teaching.
In 1984, the new editor of Baen Books, Betsy Mitchell, called Martin to ask him if he had considered doing a collection of Haviland Tuf adventures. Martin, who had several favorite series characters like Solomon Kane, Elric, Nicholas van Rijn and Magnus Ridolph, had made an attempt to create such a character on his own in the 1970s with his Tuf stories. He was interested, but was too occupied with the writing of his next book, the never-completed novel Black and White and Red All Over, which occupied most of his writing time the same year. But after the failure of The Armageddon Rag, all editors rejected his upcoming novel, and desperate for money, he accepted Mitchell's offer and wrote some more Tuf stories which were collected in Tuf Voyaging, which sold well enough for Mitchell to suggest a sequel. Martin was willing and agreed to do it, but before he got started he got an offer from Hollywood, where producer Philip DeGuere Jr. wanted to adapt The Armageddon Rag into a film. The film adaptation did not happen, but they stayed in touch, and when DeGuere became the producer for the revival of The Twilight Zone, Martin was offered a job as a writer. Working for television paid a lot better than writing literature, so he decided to move to Hollywood to seek a new career. At first he worked as staff writer for the show, and then as an executive story consultant.
In 1987, Martin published a collection of short horror stories in Portraits of His Children. During this same period, Martin continued working in print media as a book-series editor, this time overseeing the development of the multi-author Wild Cards book series, which takes place in a shared universe in which a small slice of post–World War II humanity gains superpowers after the release of an alien-engineered virus; new titles are published in the ongoing series from Tor Books. In Second Person, Martin "gives a personal account of the close-knit role-playing game (RPG) culture that gave rise to his Wild Cards shared-world anthologies". An important element in the creation of the multiple-author series was a campaign of Chaosium's role-playing game Superworld (1983) that Martin ran in Albuquerque. Admitting he became completely obsessed with the game, he stopped writing literature for most of 1983, which he refers to as his "lost year", but his shrinking bank accounts made him realize he had to come up with something, and got the idea that perhaps the stories and characters created in Superworld could somehow become profitable. Martin's own contributions to Wild Cards have included Thomas Tudbury, "The Great and Powerful Turtle", a powerful psychokinetic whose flying "shell" consisted of an armored VW Beetle. As of June 2011, 21 Wild Cards volumes had been published in the series; earlier that same year, Martin signed the contract for the 22nd volume, Low Ball (2014), published by Tor Books. In early 2012, Martin signed another Tor contract for the 23rd Wild Cards volume, High Stakes, which was released in August 2016.
In 1991, Martin briefly returned to writing novels. He had grown frustrated that his TV pilots and screenplays were not getting made and that TV-related production limitations like budgets and episode lengths were forcing him to cut characters and trim battle scenes. This pushed Martin back towards writing books, where he did not have to worry about compromising his imagination. Admiring the works of J. R. R. Tolkien in his childhood, he wanted to write an epic fantasy, though he did not have any specific ideas.
Martin's work has been described as having "complex story lines, fascinating characters, great dialogue, perfect pacing" by literary critic Jeff VanderMeer. Dana Jennings of the New York Times described Martin's work as "fantasy for grown ups" and Lev Grossman wrote that it was dark and cynical. Martin's first novel, Dying of the Light, set the tone for some of his future work; it unfolds on a mostly abandoned planet that is slowly becoming uninhabitable as it moves away from its sun. This story has a strong sense of melancholy. His characters are often unhappy or, at least, unsatisfied, in many cases holding on to idealisms in spite of an otherwise chaotic and ruthless world, and often troubled by their own self-seeking or violent actions, even as they undertake them. Many have elements of tragic heroes or antiheroes in them; reviewer T. M. Wagner writes: "Let it never be said Martin doesn't share Shakespeare's fondness for the senselessly tragic." The overall gloominess of A Song of Ice and Fire can be an obstacle for some readers; the Inchoatus Group writes that, "If this absence of joy is going to trouble you, or you're looking for something more affirming, then you should probably seek elsewhere." However, for many fans, it is precisely this level of "realness" and "completeness" – including many characters' imperfections, moral and ethical ambiguity, and (often sudden) consequential plot twists that is endearing about Martin's work. Many find that this is what makes the series' story arcs compelling enough to keep following despite its sheer brutality and intricately messy and interwoven plotlines; as TM Wagner points out:"There's great tragedy here, but there's also excitement, humor, heroism even in weaklings, nobility even in villains, and, now and then, a taste of justice after all. It's a rare gift when a writer can invest his story with that much humanity."Martin's characters are multifaceted, each with intricate pasts, aspirations, and ambitions. Publishers Weekly writes of his ongoing epic fantasy A Song of Ice and Fire: "The complexity of characters such as Daenerys, Arya and the Kingslayer will keep readers turning even the vast number of pages contained in this volume, for the author, like Tolkien or Jordan, makes us care about their fates." Misfortune, injury, and death (including false death and reanimation) often befall major or minor characters, no matter how attached the reader has become. Martin has described his penchant for killing off important characters as being necessary for the story's depth: "when my characters are in danger, I want you to be afraid to turn the page, (so) you need to show right from the beginning that you're playing for keeps".
In 2017, Martin confirmed he would serve as an executive producer of the HBO television series adaptation of the 2010 science fantasy novel Who Fears Death by Nnedi Okorafor. Martin also contributed to the 2022 video game titled Elden Ring, writing the worldbuilding aspects for it. In February 2021, it was reported that Martin and Kalinda Vazquez were developing a TV adaptation of Roadmarks by Roger Zelazny, which Martin pitched to HBO in 2020. Martin will be an executive producer, Vazquez the showrunner, writer and executive producer. In March 2021, he signed an overall deal with HBO. Martin will serve as an executive producer of the Peacock TV adaptation in development of his Wild Cards book series, together with Melinda M. Snodgrass and Vince Gerardis, Martin's manager. He serves as an executive producer of the AMC series Dark Winds based on Tony Hillerman's Leaphorn & Chee books. In 2021, Martin served as one of the producers of the short film Night of the Cooters based on the eponymous short story by Howard Waldrop.
In response to a question on his religious views, Martin replied: "I suppose I'm a lapsed Catholic. You would consider me an atheist or agnostic. I find religion and spirituality fascinating. I would like to believe this isn't the end and there's something more, but I can't convince the rational part of me that makes any sense whatsoever."
Education
Martin attended Northwestern University, where he earned his Bachelor's degree in Journalism in 1970 and a Master's degree in 1971. His educational background has played a significant role in shaping his writing skills and career.
The family first lived in a house on Broadway belonging to Martin's great-grandmother. In 1953, they moved to a federal housing project near the Bayonne docks. During Martin's childhood, his world consisted predominantly of "First Street to Fifth Street", between his grade school and his home. This limited world made him want to travel and experience other places, but the only way of doing so was through his imagination, and he became a voracious reader.
In 1970, Martin earned a B.S. in journalism with a minor in history from Northwestern University's Medill School of Journalism in Evanston, Illinois, graduating summa cum laude; he went on to complete his M.S. in Journalism in 1971, also from Medill. Eligible for the draft during the Vietnam War, to which he objected, Martin applied for and obtained conscientious objector status; he instead did alternative service work for two years (1972–1974) as a VISTA volunteer, attached to the Cook County Legal Assistance Foundation.
In the mid-1970s, Martin met English professor George Guthridge from Dubuque, Iowa, at a science fiction convention in Milwaukee. Martin persuaded Guthridge (who later said that at that time he despised science fiction and fantasy) not only to give speculative fiction a second look, but also to write in the field himself. Guthridge has since been a finalist for the Hugo Award and twice for the Nebula Award for science fiction and fantasy. In 1998, Guthridge and Janet Berliner won the Bram Stoker Award for Superior Achievement in the Novel for their Children of the Dusk.
HBO ordered a second season of Game of Thrones on April 19, 2011, two days after the series premiere. The second season obtained a 15% increase in budget in order to be able to stage the war's most important battle, the Battle of the Blackwater, in episode nine which was written by George R. R. Martin. Filming took place during 106 shooting days. During three-quarters of those, two crews ("Dragon" and "Wolf") were working simultaneously in different locations. Alan Taylor was promoted to co-executive producer and directed four episodes, including the season premiere and finale. David Petrarca and David Nutter each directed two episodes, while series cinematographer Alik Sakharov and filmmaker Neil Marshall directed the remaining two. The second season premiered in the United States on HBO on April 1, 2012, and concluded on June 3, 2012. U.S. viewership rose by approximately 8% over the course of the season, from 3.9 million to 4.2 million by the season finale. The second season won six of the twelve Emmy Awards for which it was nominated.
With a budget over $100 million for the whole season, filming for the sixth season began in July 2015 and ended on December. The season filmed in five different countries: Northern Ireland, Spain, Croatia, Iceland, and Canada. This season saw the overall plot of the show diverging from the source material. Some of the season's storyline is derived from content not yet published in Martin's A Song of Ice and Fire series, although a significant amount of material from A Feast for Crows, A Dance with Dragons and the upcoming sixth novel The Winds of Winter, which Martin previously outlined to showrunners David Benioff and D.B. Weiss, was used. The season was largely met with positive reviews. The "Battle of the Bastards" episode received immense critical acclaim, with many calling it one of the best television episodes of all time. U.S. viewership rose compared to the previous season, and by approximately 13 percent over its course, from 7.9 million to 8.9 million by the finale. The season won 12 of the 23 Emmy Awards for which it was nominated.
The author makes a point of grounding his work on a foundation of historical fiction, which he channels to evoke important social and political elements of primarily the European medieval era that differ markedly from elements of modern times, including the multigenerational, rigid, and often brutally consequential nature of the hierarchical class system of feudal societies that is in many cases overlooked in fantasy writing. Even as A Song of Ice and Fire is a fantasy series that employs magic and the surreal as central to the genre, Martin is keen to ensure that magic is merely one element of many that moves his work forward, not a generic deus ex machina that is itself the focus of his stories, which is something he has been very conscious about since reading Tolkien; "If you look at The Lord of the Rings, what strikes you, it certainly struck me, is that although the world is infused with this great sense of magic, there is very little onstage magic. So you have a sense of magic, but it's kept under very tight control, and I really took that to heart when I was starting my own series." Martin's ultimate aim is an exploration of the internal conflicts that define the human condition, which, in deriving inspiration from William Faulkner, he ultimately describes as the only reason to read any literature, regardless of genre.
