Age, Biography, and Wiki
- Full Name: Gopala Ratnam Subramaniam (popularly known as Mani Ratnam)
- Date of Birth: June 2, 1956
- Age: 69 (as of 2025)
- Birth Place: Madurai, Tamil Nadu, India
- Current Residence: Chennai (notably a luxury home in the Alwarpet area)
- Profession: Film Director, Producer, Screenwriter
Mani Ratnam is regarded as one of India’s most accomplished filmmakers, with a prolific career spanning over three decades. He is best known for seminal films such as Mouna Raagam and Roja, which redefined Indian cinema and gained international acclaim.
| Occupation | Film Producer |
|---|---|
| Date of Birth | 2 June 1956 |
| Age | 69 Years |
| Birth Place | Madurai, Madras State, India |
| Horoscope | Gemini |
| Country | India |
Height, Weight & Measurements
- Height: Not publicly disclosed (widely reported to be average for his age and stature)
- Weight: Not publicly disclosed
- Measurements: Not available
Mani Ratnam maintains a low profile regarding his physical attributes, focusing public attention on his cinematic achievements.
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Dating & Relationship Status
- Relationship Status: Married
- Spouse: Suhasini Mani Ratnam (née Suhasini Subramaniam), herself a prominent actress, director, and niece of legendary actor Kamal Haasan.
- Children: Not widely discussed in public media
Mani Ratnam’s personal life is kept private, with occasional glimpses of his family life shared during public or professional events.
His father, S. Gopalaratnam, was a film distributor who worked for Venus Pictures, while his uncle, "Venus" Krishnamurthy, was a film producer. His elder brother G. Venkateswaran (died 2003) would go on to produce some of his films. His younger brother G. Srinivasan (died 2007), like G. Venkateswaran, would also co-produce some of his films. Mani Ratnam grew up in Madras (now Chennai), along with his siblings and cousins. Despite being a film family, the children were not allowed to watch films as the elders considered them taboo. "As a youngster, films seemed like a waste of time", he claimed in a 1994 interview; however, he started watching films more actively when he was studying at the Besant Theosophical School. During this time, he developed an admiration for actors like Sivaji Ganesan and Nagesh; watching all their films. When he discovered the legendary director K. Balachander, he became his fan. Upon completing his schooling, he graduated with a degree in commerce from the Ramakrishna Mission Vivekananda College, affiliated to the Madras University. Later, he did his Master of Business Administration (MBA) in finance from Jamnalal Bajaj Institute of Management Studies in Mumbai. After finishing his post-graduation in 1977, he was employed in a firm in Madras as a management consultant, and continued to work there for sometime.
Mani Ratnam developed a script—originally written in English—into a film and named it Pallavi Anu Pallavi. His uncle Krishnamurthy agreed to produce the film but imposed a condition that it should be made under a limited budget in Kannada, to which he agreed. He persuaded Balu Mahendra to do the cinematography as he found the latter's work to be very impressive. He managed to get other crew members B. Lenin (for Film editing), Thota Tharani (for art direction) and Ilaiyaraaja (for composer music), all leading craftsmen in their respective fields. For the male lead, he cast Anil Kapoor after watching his performance in the Telugu film Vamsa Vruksham (1980). Lakshmi was signed up as the female lead. The film explored the relationship between a young man and an older woman. Although an average grosser at the box-office, the film fetched Mani Ratnam the Best Screenplay Award from the Karnataka State Government for the year 1983. After watching Pallavi Anu Pallavi, N. G. John offered him a chance to direct a film in Malayalam. Scripted by T. Damodaran and featuring Mohanlal as hero, Unaroo was about the corruption in labour unions of Kerala. The film was completed within two months and released in April 1984. Mani Ratnam attributed the failure of the film to the conflict of interests that he and the producer had. Following this, he entered Tamil cinema when G. Thyagarajan of Sathya Jyothi Films offered him a chance to direct Pagal Nilavu (1985). The film had Murali and Revathi playing lead roles. It was different from his previous two films in that it included dance sequences and a "comedy track". The same year, he directed another Tamil film Idaya Kovil, a romantic drama. He remodelled a ready made script on the lines of Charlie Chaplin's Limelight (1952). Despite being unsatisfied with the final product, the film was a major box-office success. The phase between 1983 and 1986 was the toughest of his career with only Pallavi Anupallavi feeling satisfactory; the other three completed with a lot of "compromises".
Mani produced his wife's directorial debut film, Indira, and then directed the critically successful Iruvar with Mohanlal, Aishwarya Rai, Tabu and Prakash Raj in the lead. Iruvar was awarded the Best Film at the "Festival of the Auteur Films" at the FEST film festival held in Belgrade. In 1998 came the third part of his "terrorism trilogy", named Dil Se.. and starring Shahrukh Khan and Manisha Koirala, with the latter fabricating the second collaboration. It showed the relationship between a young man and a dangerous, disturbed woman. Although they fall in love, she is unable to take the romance further due to her bleak past. The soundtrack album, again composed by A. R. Rahman, gained mass appeal and gave Rahman his next Filmfare Award for Best Music Direction in 1999. Unlike his previous two projects, Dil Se.. opened with little note among film critics and performed poorly in the domestic market, despite being a success overseas. It was screened in many international film festivals, and won the Netpac award (Ex-Aqueo) in the Berlin International Film Festival. The film over the years has achieved cult classic status.
Mani's next film, Kannathil Muthamittal, dealt with the story of a child of Sri Lankan Tamil parentage adopted by Indian parents, who wishes to meet her biological mother during the Sri Lankan Civil War. The film was critically acclaimed and commercially successful, winning six National Film Awards, Filmfare Award for Best Direction in Tamil, In the Spirit of Freedom Award at the Jerusalem Film Festival, and an award at the Indian Film Festival of Los Angeles. In 2004, he made Aayutha Ezhuthu, which tells the story of how one incident sends the lives of three youths on a collision course and received positive reviews. Mani made the film simultaneously in Hindi as Yuva, his second venture into Bollywood. Ajay Devgn, Abhishek Bachchan, and Vivek Oberoi replaced Surya Sivakumar, R. Madhavan, and Siddharth, respectively in the Hindi version. Unlike Yuva, Aayutha Ezhuthu was appreciated by critics. Mani suffered his first heart attack while shooting Aayutha Ezhuthu.
The film is loosely based on the Hindu epic Ramayana; its narrative occurs over 14 days when a revolutionist named Veera, who lives in a forest, kidnaps a policeman's wife to avenge his sister's death. The Tamil version received positive reviews from the critics compared to its other versions. The New York Times called the movie a "critics' pick". However, the reviewers of the Hindi version panned the film; Rajeev Masand said it was "a crushing bore of a film, a disappointment on virtually every count" The Tamil version was declared a box office success.
His next film, romantic drama O Kadhal Kanmani starring Dulquer Salmaan and Nithya Menen as the lead pair, was released in April 2015. The cinematography and editing of the film was handled by P.C. Sreeram and A. Sreekar Prasad respectively, while music was scored by A. R. Rahman. The film depicted the life of a young couple in a live-in relationship in Mumbai, and was said to be a "reflection of the modern mindset of urban India", dealing with issues such as marriage and traditional values. Made at a small budget of 6 crores, the film achieved widespread critical acclaim and commercial success.
After Kattru Veliyadai, Ratnam's next film was the crime thriller Chekka Chivantha Vaanam, starring Arvind Swami, Silambarasan, Arun Vijay and Vijay Sethupathi as the lead actors, while Jyothika, Aishwarya Rajesh, Aditi Rao Hydari and Dayana Erappa, Prakash Raj, Thiagarajan, and Mansoor Ali Khan rounded out the supporting cast. The film followed three children as they battled for complete power of their crime family following their father's unexpected demise. Chekka Chivantha Vaanam opened in September 2018 to positive reviews and was a box office success. His next project was confirmed to be Ponniyin Selvan: I, based on the Indian epic written by Kalki Krishnamurthy. The film has an ensemble cast consisting of Vikram, Karthi, Jayam Ravi, Jayaram, Rahman, Aishwarya Rai, Trisha, Aishwarya Lekshmi, R. Parthiban, Lal, Babu Antony, Ashwin Kakumanu, Prabhu, Sarathkumar, Sobhita Dhulipala, Vikram Prabhu and many more, play the prominent roles. The venture was jointly produced by Mani Ratnam and Subaskaran under their banners, Madras Talkies and Lyca Productions. The music was composed by A. R. Rahman, while Ravi Varman handled the cinematography of the film. A. Sreekar Prasad was the editor. Initially planned as one film, reminiscent of Mughal-E-Azam, Ponniyin Selvan was divided into two parts. This was done to ensure that the audience would not be confused with the screenplay and story, adapted from the five books of the epic. The first part, Ponniyin Selvan: I, was released theatrically, on 30 September 2022. The second part released on 28 April 2023. He is currently working on Thug Life (2025) starring an ensemble cast of Kamal Hassan, Silambarasan, Trisha, Abhirami, Joju George, and Nassar.
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| Husband | Suhasini Charuhasan (m. 1988) |
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Net Worth and Salary
- Estimated Net Worth (2025): $18.3 million (approx. ₹140–153 crore)
- Monthly Income: ₹2 crore
- Annual Income: ₹21 crore
Mani Ratnam’s net worth has surged in recent years due to a successful streak of blockbuster films and royalties. He is considered a conscientious taxpayer and is known for his taste for understated luxury, owning high-end vehicles like BMW and Mercedes-Benz.
Career, Business, and Investments
Film Career Highlights:
- Directorial Debut: Pallavi Anu Pallavi (1983)
- Notable Films: Nayakan, Bombay, Roja, Dil Se.., Kannathil Muthamittal, Guru, Raavanan, and more.
- Production Company: Madras Talkies (founded by Mani Ratnam), responsible for several critically and commercially successful films.
- Upcoming Projects: Paradise (recent release) and Thug Life (upcoming).
Ratnam married actress Suhasini on 26 August 1988. The couple have a son. The family resides in Alwarpet, Chennai, where he runs his production company, Madras Talkies.
Mani Ratnam was not satisfied with his job as a consultant as he found it to be a mere extension of his academics. During this time his friend Ravi Shankar, son of director B. R. Panthulu, was in the process of making his first film. Mani Ratnam, Ravi Shankar and another friend Raman, son of filmmaker S. Balachander, worked on the script of the film. Mani Ratnam took a sabbatical from his job to ensure his participation in the making of the film. Being inexperienced, the makers were largely dependent upon the American Cinematographer magazine. The principal cast included Vishnuvardhan, Srinath, Ambareesh, Lakshmi, and Roja Ramani. When the filming was about to begin in Kolar, Karnataka, Mani Ratnam left his consulting job and joined the crew. The film, however, did not take off and was eventually shelved. Nevertheless, he was firm in his idea of becoming a film-maker. Although not impressed with many of the films made in Tamil cinema, he was "amazed" at Bharathiraja's 16 Vayathinile (1977), K. Balachander's Apoorva Raagangal (1975), and Mahendran's Mullum Malarum (1978) and Uthiripookkal (1979). During this time, he befriended a group of people namely P. C. Sreeram, Santhana Bharathi, and P. Vasu, who shared his interest of entering into the film industry.
In 2007, Mani made Guru, a biographical film based on the life of Dhirubhai Ambani, a business magnate from India. The film starred Abhishek Bachchan and Aishwarya Rai. The film, set in the early 1950s, became a box office success and received critical acclaim. Guru was screened at the Tous Les Cinemas du Monde (World Cinema) section of the 2007 Cannes Film Festival. In 2010, Mani worked on a bilingual film, titled Raavanan starting Vikram, Aishwarya Rai and Prithviraj Sukumaran in Tamil where in the film look was unveiled at 2010 Cannes Film Festival, as part of its marketing campaign. and Raavan in Hindi. The Tamil version was dubbed into Telugu and titled Villain. The film was released worldwide on 18 June 2010.
Unlike most of his contemporaries, Mani Ratnam did not assist anybody in film-making prior to entering the industry. A majority of his films are characterised by a string of socio-political themes. Because of his idea of combining art and commercial elements, most of his films garnered both critical acclaim and commercial success. Nayakan, Bombay and Iruvar were inspired from real-life incidents, while Thalapathi and Raavan were based on Indian epics.
Mani Ratnam handled screenplays for a majority of his films. Lauded for his casting in each of his films, he claimed in an interview that "I am not a director who performs and shows. I discuss the role, the scene with my actors and let them bring life to it". Right from the beginning of his career, his works were noted for their technical expertise in areas such as cinematography, art direction, editing and background score. For his debut film, he managed to handpick Balu Mahendra, Thotta Tharani, B. Lenin, and Ilaiyaraaja, leading craftsmen in their respective fields. As his career progressed, he worked with his childhood friend P. C. Sreeram and continued his collaborations with him until Geethanjali. In 1991 for his film Thalapathi, he chose Santosh Sivan and Suresh Urs—both newcomers to the Tamil film industry—to do cinematography and editing respectively. Both would later become a part of his regular crew. While working on Raavan, Santosh Sivan noted "any cameraman can hone his skills just working with Mani" and described Mani Ratnam's films as difficult to film. From his debut project till Thalapathi, Ilaiyaraaja was his regular composer. For his next film Roja (1992), he collaborated with debutant A. R. Rahman, who has been his regular composer for all his films till date. Among cinematographers, he has also worked with Madhu Ambat, Rajiv Menon, Ravi K. Chandran, V. Manikandan and Ravi Varman while switching between Sreeram and Santosh Sivan otherwise. Since Alaipayuthey, Sreekar Prasad has been his regular film editor.
Social Network
- Presence: Mani Ratnam is relatively private and does not maintain a strong public persona on social media platforms.
- Public Appearances: Occasionally seen at film festivals, award ceremonies, and industry events.
- Public Perception: Highly respected among peers and the film fraternity for his creative vision and professionalism.
Despite being born into a film family, Mani Ratnam did not develop any interest in films when he was young. Upon completion of his post graduation in management, he started his career as a consultant. He entered the film industry through the 1983 Kannada film, Pallavi Anu Pallavi. The failure of his subsequent films would mean that he would be left with fewer offers. After working in Telugu and Malayalam Cinema, he made his major breakthrough with Mouna Ragam (1986), established him as a leading filmmaker in Tamil cinema which won him his first Filmfare Best Director Award. He was the director of the critically acclaimed Nayakan (1987) and Anjali (1990), both of which qualified as India's official entry for The Academy Awards. He found success with the crime drama Thalapathi, romantic terrorism drama Roja (1992), Bombay (1995), Dil Se.. (1998), and his romantic trilogy of Mouna Ragam (1986), Alai Payuthey (2000), O Kadhal Kanmani (2015).
In 1986, Mani directed the Tamil romantic drama Mouna Ragam, which starred Revathi and Mohan. The film was critically acclaimed for portraying urban Tamils in a "realistic" manner. Specifically, it told the story of the friction between a newly-wed couple. The score by Ilaiyaraaja was appreciated along with SPB in back ground score and became popular upon release. Mouna Raagam was subsequently dubbed into Telugu under the same title and became a hit in Andhra Pradesh as well. The film elevated Mani's status as a director, and won the National Film Award for Best Feature Film in Tamil at the 34th National Film Awards. He won his first Filmfare Award for directing the film.
In 1987, Mani directed Nayakan starring Kamal Haasan, and the film became a huge success and brought him recognition at the national level. Inspired by the 1972 American crime film, The Godfather, the film was based on the real-life story of underworld don Varadarajan Mudaliar, and tells the story of an orphaned slum-dweller and his rise to top of the Bombay underworld hierarchy. It was included in Time magazine's All-Time 100 Greatest Movies in 2005. Satyajit Ray's The Apu Trilogy and Guru Dutt's Pyaasa are the only other Indian films that have appeared in the list. Indian critics dubbed the film as India's answer to The Godfather. Nayakan was both commercially successful and critically acclaimed winning three National Awards—Best Actor, Best Cinematography and Best Art Direction—at the 35th National Film Awards. The film was India's official entry to the Oscars for Best Foreign Language Film at the 60th Academy Awards, but was not nominated.
Following these two commercial successes, Mani wrote and directed Agni Natchathiram in 1988. The film deals with the story of half-brothers played by Prabhu and Karthik and is notable for its use of new techniques in camera framework, especially during the songs. The film had a successful run in the box office.
In 1989, Telugu actor Nagarjuna and Mani Ratnam collaborated for a Telugu film and it remains the only Telugu film directed by Ratnam. The film Geethanjali which had Nagarjuna and Girija Shettar in the lead, told the story of an ill-fated couple, both of whom are suffering from terminal diseases. Geethanjali was critically acclaimed and won the National Film Award for Best Popular Film Providing Wholesome Entertainment in 1990. In addition, it won the Best Director and Nandi Award for Best Story Writer for Mani. Mani maintained a momentum of making emotional stories of under-served people through the film Anjali in 1990, which starred Baby Shamili as the central character. The film which also had Raghuvaran and Revathy, told the story of an autistic child who changed the lives of people around her. The film proved to be a commercial success and was nominated as India's official entry to the Oscars in the Best Foreign Language Film category at the 63rd Academy Awards. Following Anjali's release, Mani later made another underworld-themed Tamil film, Thalapathi (1991), starring Rajinikanth and Mammootty. The film was loosely based on Mahabharata, dealt with the friendship between Karna and Duryodhana portrayed by Rajinikanth and Mammmooty respectively. The film met with both critical acclaim and commercial success upon release. Ilaiyaraaja's musical score and Mani's work were highly appreciated as they both went on to win the Music Director and Best Director awards respectively at the 39th Filmfare Awards.
Mani again teamed up with Ram Gopal Varma to provide the screenplay for the latter's Telugu film Gaayam, a socio-politico film loosely based on The Godfather. In 1995, Mani returned to Tamil language drama through Bombay starring Arvind Swamy and Manisha Koirala, which told the story of a Hindu-Muslim couple in the midst of the 1993 religious Bombay riots and bombings. It was also the first Indian film to focus on marriage between Hindu and Muslim people. The film met with controversy and censorship upon release. It was subsequently dubbed into Hindi where it gained commercial success and appreciation by critics. It won a number of awards, such as Nargis Dutt Award for Best Feature Film on National Integration, Political Film Society Awards|Special Award from the Political Film Society, In the Spirit of Freedom Award at the Jerusalem International Film Festival and the Gala Award at the Edinburgh International Film Festival.
The Government of India honoured Mani with Padma Shri in 2002. He has won several National Film Awards, Filmfare Awards, Filmfare Awards South and state awards. Apart from these awards, many of his films have been screened at various film festivals and have won numerous accolades. Geethanjali, directed by him won the Golden Lotus Award for Best Popular Film at the 37th National Film Awards. Other films like Mouna Ragam, Anjali, and Kannathil Muthamittal have won the Best Regional Film awards at the National Film Awards. Two of his films, Roja and Bombay have won the Nargis Dutt Award for Best Feature Film on National Integration. The former was also nominated for Best Film category at the 18th Moscow International Film Festival. In 2010, Mani was honoured with Jaeger-Lecoultre Glory to the Filmmaker at the 67th Venice International Film Festival. In July 2015, he was honoured with the Sun Mark Lifetime Achievement Award at the Bagri Foundation London Indian Film Festival for his esteemed contribution to international cinema. Around the same time, the Museum of the Moving Image, New York City, paid a special tribute to Mani. His films Roja, Bombay, and Dil Se were screened at the museum as a retrospective.
Education
- Educational Background: Details about Mani Ratnam’s schooling or higher education are not widely publicized.
- Career Path: Began his professional career in management before transitioning to filmmaking, where he quickly established himself with his storytelling and directorial style.
Summary
As of 2025, Mani Ratnam stands as a towering figure in Indian cinema, celebrated for his directorial prowess and business acumen. His net worth reflects a blend of creative success and savvy investments, with his legacy cemented by a body of work that continues to influence filmmakers across generations.
