Age, Biography, and Wiki
Age: Steven Spielberg was born on December 18, 1946, which makes him 78 years old as of 2025. Biography: Spielberg is an American film director, producer, and screenwriter. He is best known for his contributions to the film industry, including blockbuster hits like "Jaws," "Indiana Jones," and "Schindler's List." Spielberg's passion for filmmaking began early in his life, influenced by his father's storytelling and his own fascination with film. He gained recognition with his early works, such as "Duel," and continued to rise through the ranks with his innovative storytelling and direction.
| Occupation | Special Effects |
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| Date of Birth | 18 December 1946 |
| Age | 78 Years |
| Birth Place | Cincinnati, Ohio, US |
| Horoscope | Sagittarius |
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Height, Weight & Measurements
- Height: Steven Spielberg stands at about 5 feet 7 inches (170 cm).
- Weight: His weight is approximately 78 kg (172 lbs).
- Measurements: Specific body measurements for Spielberg are not publicly detailed, but he is known for his average build.
| Height | 5 feet 7 inches |
| Weight | 172 lbs |
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Dating & Relationship Status
Spielberg has been married twice:
- First Marriage: His first wife was Amy Irving, whom he married in 1985 and divorced in 1989.
- Second Marriage: He married Kate Capshaw in 1991, and they are still together. They have seven children combined from their marriages and previous relationships.
His mother, Leah (, later Adler), was a concert pianist and ran a kosher dairy restaurant, and his father, Arnold, was an electrical engineer involved in the development of computers. His immediate family were Reform Jewish/Orthodox Jewish. Spielberg's paternal grandparents were Jews from Ukraine; his grandmother Rebecca, was from Sudylkiv, and his grandfather Shmuel Spielberg was from Kamianets-Podilskyi. Spielberg has three younger sisters: Anne, Sue, and Nancy. At their home in Cincinnati, his grandmother taught English to Holocaust survivors. They, in turn, taught him numbers: "One man in particular, I kept looking at his numbers–his number tattooed on his forearm ... he started – you know, when–during the dinner break, when everybody was eating and not learning, he would point to the numbers. And he would say, that is a two, and that is a four. And then he'd say, and this is a eight, and that's a one. And I'll never forget this. And he said, and that's a nine. And then he crooked his arm and inverted his arm and said, and see, it becomes a six. It's magic. And now it's a nine, and now it's a six, and now it's a nine and now it's a six. And that's really how I learned my numbers for the first time ... the irony of all that, and the gift of that lesson, never really dawned on me until I was much older."
In 1952, his family moved to Haddon Township, New Jersey, after his father was hired by RCA. Spielberg attended Hebrew school from 1953 to 1957, in classes taught by Rabbi Albert L. Lewis. In early 1957, the family moved to Phoenix, Arizona. Spielberg had a bar mitzvah ceremony when he was thirteen. His family was involved in the synagogue and had many Jewish friends. Of the Holocaust, he said that his parents "talked about it all the time, and so it was always on my mind". His father had lost between sixteen and twenty relatives in the Holocaust. Spielberg found it difficult accepting his heritage; he said: "It isn't something I enjoy admitting... but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg was the target of anti-Semitism: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible." He gradually followed Judaism less during adolescence, after his family had moved to various neighborhoods and found themselves to be the only Jews.
He recalls his parents taking him to see Cecil B. DeMille's The Greatest Show on Earth (1952). He had never seen a movie before, and thought they were taking him to the circus. He was terrified by the movie's train crash, and at age 12, he recreated it with his Lionel trains and filmed it. He recalls: "The trains went around and around, and after a while that got boring, and I had this eight-millimeter camera, and I staged a train wreck and filmed it. That was hard on the trains, but then I could cut the film lots of different ways and look at it over and over again." This was his first home movie. In 1958, he became a Boy Scout, eventually attaining the rank of Eagle Scout. He fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm Western, The Last Gunfight. Spielberg used his father's movie camera to make amateur features, and began taking the camera along on every Scout trip. At age 13, Spielberg made a 40-minute war film, Escape to Nowhere, with a cast of classmates. The film won first prize in a statewide competition. Throughout his early teens, and after entering high school, Spielberg made about fifteen to twenty 8 mm adventure films. He recalls that "my dad told me stories about World War II constantly... I knew, based on the stories my dad and his friends were telling about World War II, that there was no glory in war. And it was ugly, and it was cruel ... it was, you know, visually devastating. And so I thought, someday, if I ever do make a war movie for real, it's got to be something that tells the truth about what those experiences had been for those young 17-, 18-, 19-year-old boys storming Omaha Beach, let's say."
In Phoenix, Spielberg went to the local theater every Saturday. Formative films included Victor Fleming's Captains Courageous (1937), Walt Disney's Pinocchio and Fantasia (both 1940), Akira Kurosawa's Rashomon (1950) and The Seven Samurai (1954), Ishirō Honda's Godzilla, King of the Monsters! (1956), David Lean's Bridge on the River Kwai (1957) and Lawrence of Arabia (1962) ("the film that set me on my journey"), Alfred Hitchcock's The Birds (1963) and Stanley Kubrick's Dr. Strangelove (1964) and 2001: A Space Odyssey (1968) ("I'm still living off the adrenalin that... I experienced watching that film for the first time.") He attended Arcadia High School in 1961 for three years. In 1963, he wrote and directed a 140-minute science fiction film, Firelight, the basis of Close Encounters of the Third Kind. Firelight, funded mainly by his father, was shown in a local theater for one evening and grossed $501 against its $500 budget.
After taking a tour bus to Universal Studios, a chance conversation with an executive led to Spielberg getting a three-day pass to the premises. On the fourth day, he walked up to the studio gates without a pass, and the security guard waved him in: "I basically spent the next two months at Universal Studios ... that was how I became an unofficial apprentice that summer." His family later moved to Saratoga, California, where he attended Saratoga High School. A year later, his parents divorced. Spielberg moved to Los Angeles to stay with his father, while his three sisters and mother remained in Saratoga. He recalls: "My parents split up when I was 15 or 16 years old, and I needed a special friend, and had to use my imagination to take me to places that felt good – that helped me move beyond the problems my parents were having, and that ended our family as a whole. And thinking about that time, I thought, an extraterrestrial character would be the perfect springboard to purge the pain of your parents' splitting up." He recalls his mother had "a huge adventurous personality. We always saw her as Peter Pan, the kid who never wanted to grow up, and she sort of saw herself that way. I think my mom lived a lot of childhoods in her ninety-seven years." He was not interested in academics, aspiring only to be a filmmaker. He applied to the University of Southern California's film school but was turned down because of his mediocre grades. He then applied and enrolled at California State University, Long Beach, where he became a brother of Theta Chi fraternity. In 1968, Universal gave Spielberg the opportunity to write and direct a short film for theatrical release, the 26-minute 35 mm Amblin'. Studio vice president Sidney Sheinberg was impressed and offered Spielberg a seven-year directing contract. A year later, he dropped out of college to begin directing television productions for Universal, making him the youngest director to be signed to a long-term plan with a major Hollywood studio. Spielberg returned to Long Beach in 2002, where he presented Schindler's List to complete his Bachelor of Arts in Film and Electronic Media.
Spielberg made his theatrical debut with The Sugarland Express (1974), based on a true story about a married couple on the run, desperate to regain custody of their baby from foster parents. The film starred Goldie Hawn and William Atherton and marked the first of many collaborations with the composer John Williams. Although the film was awarded Best Screenplay at the 1974 Cannes Film Festival, it was not a commercial success, which Spielberg blamed on Universal's inconsistent marketing. The film opened in four hundred theaters in the US to positive reviews; Pauline Kael wrote "Spielberg uses his gifts in a very free-and-easy, American way—for humor, and for a physical response to action. He could be that rarity among directors, a born entertainer—perhaps a new generation's Howard Hawks." The Hollywood Reporter wrote that "a major new director is on the horizon".
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| Husband | Amy Irving (m. November 1985-1989) Kate Capshaw (m. October 12, 1991) |
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Net Worth and Salary
As of 2025, Steven Spielberg's net worth is estimated at $5.3 billion, according to Forbes. His annual income is around $150 million. This wealth comes from a combination of directing fees, producing credits, and backend profits from some of the highest-grossing films ever made.
In the early 1970s, Spielberg unsuccessfully tried to raise financing for his own low-budget films. He co-wrote and directed teleplays for Marcus Welby, M.D., The Name of the Game, Columbo, Owen Marshall, Counselor at Law and The Psychiatrist. Although unsatisfied with his work, Spielberg used the opportunity to experiment with his techniques and learn about filmmaking. He earned good reviews and impressed producers; he was earning a steady income and relocated to Laurel Canyon, Los Angeles.
Career, Business, and Investments
Spielberg's career is marked by numerous iconic films and business ventures:
- Directorial Achievements: He is the director of films like "Jaws," "E.T. the Extra-Terrestrial," "Jurassic Park," and "Indiana Jones." His films have grossed over $10.75 billion worldwide.
- Production and Co-Productions: Spielberg has been involved in producing many films and television series through his production company, Amblin Entertainment.
- Investments: He has investments in DreamWorks and partnerships with streaming giants like Netflix and Apple.
Social Network
Spielberg is not very active on social media platforms, preferring to focus on his work rather than maintaining a public online presence.
In 1993, Spielberg directed back-to-back hits with the science fiction thriller Jurassic Park, the highest-grossing film ever at the time, and the epic historical drama Schindler's List, which has often been listed as one of the greatest films ever made. He won the Academy Award for Best Director for the latter as well as for the World War II epic Saving Private Ryan (1998). Spielberg has since directed the science fiction films A.I. Artificial Intelligence (2001), Minority Report (2002), War of the Worlds (2005) and Ready Player One (2018); the historical dramas Amistad (1997), Munich (2005), War Horse (2011), Lincoln (2012), Bridge of Spies (2015) and The Post (2017); the comedies Catch Me If You Can (2002) and The Terminal (2004); the animated film The Adventures of Tintin (2011); the musical West Side Story (2021); and the family drama The Fabelmans (2022).
Impressed, Universal signed Spielberg to do four television films. The first was Duel (1971), adapted from Richard Matheson's short story of the same name, about a salesman (Dennis Weaver) being chased down a highway by a psychotic tanker truck driver. Impressed, executives decided to promote the film on television. Reviews were positive, and Universal asked Spielberg to shoot more scenes so that Duel could be released theatrically to international markets. "Deservedly so" writes David Thomson, "for it stands up as one of the medium's most compelling spirals of suspense. The ordinariness of the Dennis Weaver character and the monstrous malignance of the truck confront one another with a narrative assurance that never needs to remind us of the element of fable." More TV films followed: Something Evil (1972) and Savage (1973).
Spielberg directed Raiders of the Lost Ark (1981), with a screenplay by Lawrence Kasdan based on a story by George Lucas and Philip Kaufman. They considered it an homage to the serials of the 1930s and 1940s. It starred Harrison Ford as Indiana Jones and Karen Allen as Marion Ravenwood. Filmed in La Rochelle, Hawaii, Tunisia and Elstree Studios, England, the shoot was difficult but Spielberg said that it helped him hone his business acumen. The film was a box office success and won Academy Awards for Best Art Direction (Norman Reynolds, Leslie Dilley and Michael D. Ford); Best Film Editing (Michael Kahn); Best Sound (Bill Varney, Steve Maslow, Gregg Landaker and Roy Charman); Best Sound Editing (Ben Burtt and Richard L. Anderson); and Best Visual Effects (Richard Edlund, Kit West, Bruce Nicholson and Joe Johnston). Roger Ebert wrote: "Raiders of the Lost Ark is an out-of-body experience, a movie of glorious imagination and breakneck speed that grabs you in the first shot, hurtles you through a series of incredible adventures, and deposits you back in reality two hours later–breathless, dizzy, wrung-out, and with a silly grin on your face". Raiders was the first film in the Indiana Jones franchise.
Spielberg returned to science fiction with E.T. the Extra-Terrestrial (1982). It tells the story of Elliot (Henry Thomas), a young boy who befriends an alien who was accidentally left behind by his companions and is attempting to return home. Spielberg eschewed storyboards so that his direction would be more spontaneous, and shot roughly in sequence so that the actors' performances would be authentic as they bonded with and said goodbye to E.T. Richard Corliss wrote, "This was the closing-night attraction at the 1982 Cannes Film Festival, a venue not known for blubbering sentiment. At the end, as the little critter bade his farewells and the Jules Verne-like space ship left the ground, the audience similarly levitated. One heard the audience's childlike applause; one felt their spirits lift. This was rapture made audible, palpable ... Spielberg orchestrated the movements of the camera and the puppet spaceman with the feelings of—it has to be called love—expressed in young Henry Thomas' yearning face. E.T. was the first film character to be a finalist in TIME's Man of the Year sweepstakes. It would have been fine with me if the little creature, this lovely film, had won."
Education
- Education Background: Spielberg attended Arcadia High School in Phoenix, Arizona. He later enrolled in California State University, Long Beach, but dropped out to pursue a career in film.
- Early Career: He began his career in the film industry as a television director, working on shows such as "Night Gallery" and "Columbo." His breakthrough came with the film "The Sugarland Express" in 1974.
Spielberg's journey to success is a testament to his dedication and innovative approach to filmmaking, making him one of the most celebrated figures in the industry.
He moved to California and studied film in college. After directing several episodes for television, including Night Gallery and Columbo, he directed the television film Duel (1971), which was approved by Barry Diller. He made his theatrical debut with The Sugarland Express (1974) and became a household name with the summer blockbuster Jaws (1975). He directed more escapist box office successes with Close Encounters of the Third Kind (1977), E.T. the Extra-Terrestrial (1982) and the original Indiana Jones trilogy (1981–1989). He explored drama in The Color Purple (1985) and Empire of the Sun (1987).